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Toontrack The Sixties EBX (SOUNDBANK)

P2P | 2022年12月28日| 601.6MB

低音,预设和MIDI -为经典的1960年代复古声音量身定制。

六十年代的ebx
一个流行音乐强国。
低音,预设和MIDI -为经典的1960年代复古声音量身定制。

EZbass的这个扩展开始捕捉流行音乐史上最具标志性和决定性的时代之一:六十年代。它包括氛围,声音和低音模型,其特点是胖乎乎的,黑暗和泥土的撞击在其原声中发挥了主导作用。可以说,没有任何一种乐器能比它在声音和视觉上更生动地描绘一个时代的到来和结束。

贝斯是用经典的平绕弦演奏的,用两种截然不同的演奏风格捕捉到的,一种是用手指演奏,另一种是用手掌演奏,用拨片静音。这让你在同一种乐器上有两种对比,音调范围覆盖整个宽度,从传统的砰砰声到尖锐和活泼。除了低音,这EBX还包括丰富的预设范围广泛的音调,以及定制的MIDI低音库为仪器和有关时代量身定制。

准备好回到六十年代了吗?

一丝不苟地捕捉了20世纪60年代早期经典小提琴风格的电贝斯
灵感来自60年代的声音和场景
理想的任何从微妙和原声音乐到全面流行和摇滚设置
包括一个经典的手指演奏风格,以及一个手掌静音选择抽样与挑选
提供D1至E4的区间
包括一个集合的预设涵盖了广泛的色调灵感的时代
附带一个定制的MIDI库为仪器量身定制

仪器。
贝斯改变了流行音乐的面貌。

当Walter Höfner*在1956年的法兰克福音乐博览会上推出第一版500/1小提琴贝斯*时,他并不知道他的空心体、短音阶、坦白地说,外观奇特的创作将改变音乐史的进程。但事实上,仅仅几年后,在英国利物浦,这款车型上独特的圆滚滚、黑暗和泥土的音符迅速回荡在大陆上,直到今天依然如此生动。坦率地说,没有其他低音模型更具有标志性-视觉或声音。

似乎是基于创造一种乐器的想法,以吸引那些厌倦了拖着6英尺长的巨像去演出的直立贝斯手,这是第一个这样的乐器:具有声学贝斯固有品质的电贝斯——反之亦然。

尽管自1956年首次亮相以来,它经历了无数次的变化和重制,但标志性的空心云杉顶部几乎没有改变。毫无疑问,这个轻如羽毛的奇迹在基调上确实很有分量。

“为我们的EZbass扩展线捕捉这样一颗罕见的宝石在很多层面上都是既定的——因为它独特的音调,也因为它在音乐文化和歌曲创作中的地位。我想不出比这更容易识别的低音或更合适的乐器来连接图标这个词了。这不仅仅是贝斯,它是一段历史,”EZbass首席声音设计师Ulf Edlund评论道。

主页
https://bit.ly/3hRNt3R

 

P2P | 28 December 2022 | 601.6MB

Bass, presets and MIDI – tailored for that classic 1960s vintage sound.

THE SIXTIES EBX
A POP POWERHOUSE.
Bass, presets and MIDI – tailored for that classic 1960s vintage sound.

This expansion for EZbass sets out to capture one of the most iconic and defining epochs in popular music history: the sixties. It includes the vibe, the sound and the very bass model whose characteristically tubby, dark and earthy thud played a leading role in its soundtrack. Arguably, no other instrument paints a more vividly compelling image of an era come and gone than this – sonically and visually.

The bass was strung with classic flatwound strings and captured using two distinctly different playing styles, one using the finger and one palm muted using a pick. This gives you two contrasting takes on the same instrument and a tonal range covering the entire width from the traditionally thud-like to the sharp and zingy. In addition to the bass, this EBX also includes a wealth of presets for a wide range of tones as well as a custom library of MIDI basslines tailored for the instrument and the era in question.

Ready to head back to the sixties?

A meticulously captured classic violin-style electric bass from the early 1960s
Inspired by the characteristic sixties sound and scene
Ideal for anything from subtle and acoustic music to full-on pop and rock setups
Includes a classic finger playing style as well as a palm muted option sampled with a pick
Offering a range from D1 to E4
Includes a collection of presets covering a broad range of tones inspired by the era
Comes with a custom MIDI library tailored for the instrument

THE INSTRUMENT.
The bass that changed the face of pop.

When Walter Höfner* introduced the first edition of the 500/1 Violin Bass* at the Frankfurt Musikmesse in 1956, little did he know that his hollow-bodied, short-scale and, quite frankly, peculiar-looking creation would come to change the course of music history. But indeed, only years later up in in Liverpool, England, the uniquely tubby, dark and earthy notes struck on this very model quickly echoed across the continents and resound just as vividly to this day. Frankly, no other model of bass is more iconic – visually or sonically.

Seemingly based on an idea of creating an instrument that was appealing to players of upright basses fed up with hauling a six feet colossus to gigs, this was the first of its kind: an electric bass with the inherent qualities of an acoustic – and vice versa.

Although it’s undergone numerous changes and remakes since its first rendition in 1956, the iconic hollow spruce top body has remained virtually unchanged. And make no mistake, this featherlight marvel surely carries its weight in tone.

“Capturing a rare gem like this for our line of EZbass expansions was a given on so many levels – for its unique tone just as much for the sake of its place in music culture and songwriting at large. I can’t think of a more identifiable bass tone or a more fitting instrument to attach the word icon to. This is more than a bass, it’s a piece of history,” comments Ulf Edlund, EZbass lead sound designer.

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