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Toontrack The Eighties EBX (SOUNDBANK)

P2P | 28 December 2022 | 1.21 GB

八十年代ebx
回到80年代。
一个EBX,合并电力和电子,就像八十年代!

就像十年本身一样,八十年代EBX是电气和电子的融合。它配备了两个独立的乐器,一个高端电贝斯吉他和一个经典的模拟合成器,每一个都是根据其个人品质和对当时音乐的整体影响而精心挑选的。

除了乐器本身,八十年代EBX还包括丰富的预设范围广泛的音调以及自定义的MIDI库,让您开始写作和生产从一开始。

如果你正在寻找80年代风格的低音的终极调色板,从流行和摇滚到全电子新浪潮或合成器流行,这就是它。欢迎来到您的新的去EZbass扩展!

两种乐器:一个高端电贝斯吉他和一个合成贝斯基于一个标志性的模拟合成器
灵感来自80年代的声音和音乐
从复古到现代流行,摇滚和电子产品的理想选择
电低音采样与手指和选择
合成器低音功能高达三个用户控制的振荡器为每个预设
两种仪器都提供从A0到E4的音域
包括丰富的预设,广泛的80年代灵感的色调
包括为每种乐器量身定制的MIDI系列

的仪器。
当你想要提供两款可以封装80年代低音的基本产品时,选择很容易:Wal Mk1*和标志性的Minimoog Model D.*

终极贝斯吉他。

从70年代末开始,沃尔的雄心就很简单,也很大胆:打造一款终极的会话播放器。为了实现这一目标,这个当时还很小的团队从头开始设计了游戏中的所有组件,并让顶级玩家和制作人参与其中。1980年,第一批20个定制贝斯原型面世,现在被称为Mk1(与EBX的样品型号相同)。在接下来的几年里,该品牌的知名度不断增长,沃尔低音成为英国会议电路和世界各地的中流砥柱。

虽然第一批沃尔斯出现在大约四十多年前,但直到今天,每一个离开商店的低音提琴都是在同样的制琴师气质和审查下生产的。

改变一切的合成人。

在努力提供一个负担得起的和便携式的模块化合成器的选择,Minimoog*推出于20世纪70年代。就合成器而言,它对整个音乐的影响是无与伦比的。它渗透到几乎每一个方面和风格,成为从放克到嘻哈音乐发展的关键,甚至后来为全新的流派奠定了基础。除了它的便携性和艺术家们最终能够把键盘带出录音室搬上舞台之外,Minimoog的优点还在于它既可以作为节奏部分的支柱,也可以传递旋律。事实上,它既是键盘,也是贝司——在那个时代无数歌曲中都强调了这一事实,在那个时代,它可能做出了最著名的贡献:八十年代。

这台EBX所使用的仪器是一台1976年的Minimoog* Model D Rev. 2,经过完全修复、重新组装和校准。简单地说,这是一段历史——采样和调整到几乎尖叫的80年代低音在它的每一个结构。

 

THE EIGHTIES EBX
BACK TO THE EIGHTIES.
An EBX that merges electric and electronic, just like the eighties!

Much like the decade itself, The Eighties EBX is a merge of electric and electronic. It comes with two individual instruments, one high-end electric bass guitar as well as one classic analog synthesizer, each handpicked for their individual qualities and overall influence on the music of the time.

In addition to the instruments themselves, The Eighties EBX also includes a wealth of presets for a wide range of tones as well as a custom library of MIDI, allowing you to start writing and producing from the get-go.

If you’re looking for the ultimate palette of ’80s-like bass tones designed to work in anything from pop and rock to all-electronic new wave or synth pop, this is it. Welcome to your new go-to EZbass expansion!

Two instruments: one high-end electric bass guitar and one synth bass based on an iconic analog synthesizer
Inspired by the sound and music of the ’80s
Ideal for anything from vintage to modern-sounding pop, rock and electronic productions
Electric bass sampled with finger and pick options
Synth bass features up to three user-controllable oscillators for each preset
Both instruments offer a range from A0 to E4
Includes a wealth of presets for a wide range of ’80s-inspired tones
Includes a collection of MIDI tailored for each instrument

THE INSTRUMENTS.
When looking to provide the two essential session staples that could encapsulate the sound of ’80s bass, the choice was easy: the Wal Mk1* and the iconic Minimoog Model D.*

The ultimate bass guitar.

From the outset back in the late ’70s, Wal’s ambition was as simple as it was bold: to build the ultimate session player instrument. In order to accomplish this, the then-small team designed virtually every component that went into it from the ground up, involving top players and producers in the process. In 1980, the first 20 prototype custom basses were made available, now known as the Mk1 (which is the same model as sampled for this EBX). In the years to come, the popularity of the brand grew and the Wal bass became a mainstay in the UK session circuit and around the world.

Although the first Wals surfaced more than some forty years ago, still to this day each and every bass that leaves the shop is produced with the same luthier ethos and scrutiny.

The synth that changed everything.

In an effort of offering an affordable and portable option of a modular synth, the Minimoog* was launched in the 1970s. In terms of synthesizers, the impact it had on music on a whole is unparalleled. Seeping through to virtually every facet and style, it became a lynchpin in the development in anything from funk to hip-hop and would even later come to lay the groundwork for altogether new genres. Aside from the fact that it was portable and that artists were able to finally bring the keyboard out of the studio and to the stage, the thing with the Minimoog was that it could carry a melody just as well as it could serve as the backbone of the rhythm section. Indeed, it was just as much a bass as it was a keyboard – a fact underlined in countless songs during the era when it perhaps made its most famed contributions: the eighties.

The instrument in question for this EBX is a completely restored, recapped and calibrated Minimoog* Model D Rev. 2 from 1976. Simply put, it’s a piece of history – sampled and tweaked to virtually scream eighties bass in every fabric of its being.

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