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无限铜管 – Aaron Venture Infinite Brass v1.6 KONTAKT PROPER

KONTAKT – 9,87 GB

欢迎来到下一代

无限黄铜是一个集合的下一代虚拟铜管乐器,让你演奏任何线完全在你的脑海中听起来-就在你的键盘上,没有键切换-并在3个不同的空间之一以一个梦幻的,干净的,现代的声音真实地呈现你的表演。

 

用29种乐器和13种不同的哑巴建立自己的合奏团。无论您喜欢音乐会作品的更集中的声音或电影配乐的宽声音,58个位置允许您创建任何您想要的布局。Infinite Brass有3个标准空间:温暖的莫扎特音乐厅,夸张的Bersa大厅,和干燥的工作室。通过使用每个位置和房间独特的定制脉冲响应卷积实时生成环境,因此环境总是100%反映性能。相位对齐的样品结果没有感知到层之间的交叉褪色;反应流畅,乐感十足,听起来像真的一样。

 

无限黄铜拥有一些最广泛的铜管乐器范围在市场上和一致的动态范围从ppp到fff为所有的乐器。所有乐器都有可演奏的颤音、颤振声和咆哮声,甚至可以同时演奏这三种声音。

 

Infinite Brass的采样频率为48 kHz/24位。尽管有列出的所有功能,这些仪器是您所使用过的最轻的,总计14.0 GB,每个仪器仅使用约50 MB的RAM。

 

一个表演者的梦想实现了

键盘切换的终结。声音是动态(def. CC1)、音符速度和音符持续时间相互作用的结果,允许您以无限多的方式演奏单行。这也意味着这种表达对玩家来说是独一无二的。无限黄铜还包括颤振,咆哮,和振动控制,所有完全无缝。

 

除了一些古怪的随意的东西,这些乐器可以演奏任何东西。将Dynamics/CC1视为“呼吸量”,而不是书面动态。完全按照你想要的播放任何台词,在任何时间播放任何“发音”,包括颤音、跑音、撕裂音、下降音、doits音等。

 

引擎负责非线性行为,然后将它们应用到你的输入中。结果是一个有机的听起来的表演,没有任何机关枪,无论你玩了多少个短片或你保持颤音多长时间。

 

完整的阿森纳

从交响乐到大乐队,你都准备好了。你可以接触到29种乐器——从高亢的短笛小号,到震耳欲聋的低音大号和刺耳的西巴西琴。创建您想要的任何配置。将不同的静音组合成一条线,可以获得无尽的颜色选择。

 

可以在接口中或使用控制器(def. CC26)切换静音。您可以很容易地在一行中间交换静音,无论是在执行过程中还是在MIDI编辑器中。如果在音符中间启动静音更改,交换将在结束后无缝完成。

 

所有的乐器在整个演奏范围内都具有同等的响应能力和完全一致的动态和功能。不要担心在极端情况下的补偿,纠正某些音符,或打开你的后期处理技巧包来获得较低音域的额外魅力。

 

内置的样本换位选项允许你五倍的乐器计数-这意味着30个喇叭,35个小号,60个长号,和20个大号。

 

你的声音

混音器是Infinite Brass的声学基石。它允许在无限系列乐器中使用的定制脉冲响应的控制,这提供了真实空间中铜管乐器的惊人表现。

 

所有的反射都正确地应用到您的性能中,并且都是实时完成的。在环境空间中记录的样本不会出现奇怪的尾部、故障和缺失的氛围bug。每一行,每一个短音,每一个含糊,每一个弯弯曲曲;它们听起来都像它们应该做的那样,你的表演的每一个细微差别都恰当地反映在空间中。

 

用这三套麦克风创造你自己的声音,或者使用5个混音之一。为不同的处理或环绕使用路由Ambient mic。

 

 

WELCOME TO THE NEXT GENERATION
Infinite Brass is a collection of next-gen virtual brass instruments that let you play any line exactly as it sounds in your head – right on your keyboard with no keyswitching – and render your performance authentically with a fantastic, clean, modern sound in one of 3 different spaces.

Build your own ensembles with 29 individual instruments and 13 different mutes. Whether you prefer a more centered sound for concert works or a wide sound for film scoring, 58 positions allow you to create any layout you desire. Infinite Brass comes with 3 standard spaces: the warm Mozarteum, the bombastic Bersa Hall, and the dry Studio. The ambiance is generated in real-time through convolution using bespoke impulse responses unique to each position and room, so the ambiance is always 100% reflecting the performance. Phase-aligned samples result in no perceived cross-fades between the layers; the response is smooth, musical, and sounds like the real thing.

Infinite Brass boasts some of the widest brass instrument ranges on the market and a consistent dynamic range from ppp to fff for all instruments. All instruments have playable vibrato, flutter, and growl, even all three at the same time.

Infinite Brass was chromatically sampled at 48 kHz/24-bit. In spite of all the listed features, these instruments are some of the lightest you’ll ever use, totaling 14.0 GB with only ~50 MB of RAM used per instrument.

A PERFORMER’S DREAM COME TRUE
The end of keyswitching. The sound is the result of Dynamics (def. CC1), Note Velocity, and Note Duration interacting with one another, allowing you to play a single line in an infinite number of ways. That also means that the expression will be unique to you—the player. Infinite Brass also includes Flutter, Growl, and Vibrato controls, all fully seamless.

Aside from some outlandish aleatoric stuff, the instruments can play anything. Think of Dynamics/CC1 as “breath amount”, not the written dynamic. Play any line exactly as you want, playing any “articulation” at any time, including trills, runs, rips, falls, doits, etc.

The engine takes care of non-linear behaviors, then applies them to your input. The result is an organic-sounding performance with no machine-gunning whatsoever, no matter how many shorts you play or how long you keep on trilling.

FULL ARSENAL
From symphonic to big band, you’re all set. You get access to 29 instruments—from the soaring sounds of a piccolo trumpet, down to the ground-shaking contrabass tuba and the raspy cimbassi. Create any configuration you want. Combine different mutes in a line for endless color options.

The mutes can be switched in the interface or using a controller (def. CC26). You can easily swap mutes right in the middle of a line, either during your performance or after the fact in the MIDI editor. If a mute change is initiated in the middle of a note, the swap will be seamlessly done after it ends.

All instruments are equally responsive and fully consistent dynamically and feature-wise across their entire playing range. Don’t worry about compensating in the extremes, correcting for certain notes, or opening your bag of post-processing tricks to get the extra oomph out of the horns in the lower register.

Built-in sample transposition options allow you to quintuple the instrument count—that means 30 horns, 35 trumpets, 60 trombones, and 20 tubas.

YOUR SOUND
The mixer is the sonic cornerstone of Infinite Brass. It allows for control over bespoke impulse responses used in Infinite Series instruments, which offer a stunning representation of brass instruments in a real space.

All the reflections are correctly applied to your performance, and all is done in real-time. There are no weird tails, glitches, and missing ambiance bugs that happen with samples recorded in ambient spaces. Every line, every short note, every slur, every bend or cluster; they all sound like they should, with every nuance of your performance properly reflected in the space.

Create your own sound with the three mic sets, or use one of the 5 mixes. Route out the Ambient mics for different processing or surround uses.

YOUR LAYOUT
The Positioner is a unique feature in Infinite Series instruments, allowing you to change the position of your instrument in space with two clicks, without having to worry about the mix, projection, coloration, stereo image, phasing, and everything else that’s usually a part of the workflow with virtual positioning and reverb plugins.

The library features a total of over 2700 bespoke impulse responses, all curated to bring the dream of a fully modular virtual brass ensemble to life.

Whether you’re after a denser sound where the band is sitting in the middle, or a wider sound for film scoring where the instruments will stay out of the way of dialogue and important sounds usually found in the center channel, or just want the authentic off-stage sound for that Mahler-like setup, you’re always just two clicks away.

LAPTOP-READY
Forget about servers and double-digit RAM requirements. Infinite Brass patches use a ridiculously small amount of RAM per patch, averaging at 50 MB.

Instead, Infinite Series instruments rely more on your computer’s CPU. Since convolution is the key to the instruments’ sound and 3 units are operating at the same time, these instruments are a bit more DSP-heavy than your average virtual instrument. Polyphony stays tight and Infinite Brass never plays more than 5 voices at once per instrument.

Enabling the “Mixed Mic” option switches the instrument to single-convolution mode, which reduces CPU usage by around 40%. It’s mapped to the same controller by default for all instruments, and it does not override your microphone mix, so it’s very easy to switch it on via a button or expression maps during writing/production, then just disable it to go back to your slider mix for rendering, mixdown and/or mastering.

Library size on disk is 14.0 GB, and together with tight scripting, the patches will barely increase your project size; with all 29 instruments loaded, the project size increase is ~4 MB, which means quick loading.

So taking into account the plug-and-play workflow, low memory and space requirements, immediate expressiveness, and vast flexibility, Infinite Series instruments are your ideal pick for low-RAM machines and working on the go.

Released previous version contains resaved files requiring KONTAKT v6.7.1.

Now you can download release contains original files.

Infinite Brass requires FULL version of NI Kontakt 5.7.3!
Not compatible with free NI Kontakt Player.

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