KONTAKT 音色库大小：31.63GB
专为律动而生的小提琴。
所有音色均由真人乐手演奏、支持速度同步的循环片段，额外附带数十种短促音效与装饰华彩段落，是一款真正为动态律动设计的全能型小提琴音色。
160段节奏化演奏素材，无需任何额外编程操作。
市面上绝大多数独奏小提琴音色库的核心功能都围绕两个方向设计：长音延音与短促音，这种侧重让这件乐器的完整表现力几乎被完全忽略——小提琴完全可以呈现出富有驱动力、充满节奏感、始终处于动态变化的丰富音色特质。
而这正是Rotor独奏小提琴诞生的意义所在。我们邀请了常驻的专业小提琴手亨利·兰金，打破传统制作规则，从几乎所有不同风格的音乐中汲取创作灵感，最终制作出160段节奏循环片段。这些片段充满了即兴瞬间与独特的个人演绎特质，所有片段都能完美适配你的DAW工程速度，同时完整保留了赋予音色真实感的人文演奏细节。
除此之外，我们额外录制了15种短促演奏技法、15种华彩装饰音效，为你提供可用于旋律创作、织体搭建、弦乐高音区全音域过渡段落的充足素材。整套音色库的录制团队、所用设备、录音棚环境均和Rotor独奏大提琴完全保持一致，这也让两款音色在混音中融合出绝无可能靠后期伪造的自然契合感。
这是为你管弦乐作品高音声部量身打造的节奏化解决方案。
160段真人演奏、支持速度同步的节奏素材
这是ROTOR音色库的核心内容：160段原创小提琴节奏片段，支持按速度、拍号、演奏风格筛选。所有片段都能无缝循环，自动同步你的DAW工程速度，同时在同步过程中完整保留原演奏的人文节奏细节与独特演绎特质。这些音色绝不会听起来像生硬量化的循环素材，因为从录制之初就从未按照机械量化的标准来制作。
4种演奏风格
分别为简约风、温柔风、活泼风与另类风，四种截然不同的演绎特质能彻底改变节奏片段的能量感与表现方式。
短促音效与华彩装饰
一系列富有表现力的短促音效可用于构建旋律内容，而华彩段落则专门用于在节奏循环内部或片段之间增添趣味性与动态变化感。这些工具能帮你跳出单一循环素材的局限，搭建出结构完整的完整编曲。
超精细录制细节
在纳夫工作室的二号录音棚完成录制，采用干声直接的收音风格，完美捕捉所有节奏片段的细节与微妙音色变化。
录音工程师汤姆·奥雷尔使用了多款经典麦克风与复古外围音频设备打造出完美音色，其中就包括细节表现力极强、音色饱满丰润的Brauner VMA电子管麦克风。
信号链路通过Neve与API话放、Calrec Q系列调音台进行处理，最终由世界级品质的Apogee Rosetta 800模数转换器完成信号采集。
双倍叠加与声像调控功能
当单支小提琴的音色不够饱满时，你可以启用Rotor的双倍叠加功能，调取同一段演奏的第二次录制音轨，拓展立体声场，得到两位小提琴手齐奏同一声部的真实音效。这一原生功能带来的真实叠加效果能为你的作品增添充足的宽度与深度。
4支麦克风与4套混音预设
4个独立的麦克风收音位置，从极近距离拾音到远距离环境拾音，提供截然不同的音色视角。同时内置4套预制混音：近距干声、自然质感、增强音色、环境氛围。其中增强混音版本尤其适配现代制作场景，是这款音色库中实用性极强的功能选项。
TransPitch™专属控制功能
这是我们自研的独家特效，原理是先将小提琴音高向下偏移，之后再将其重新移调回原始音高，最终得到音色更暗沉、略带朦胧感的独特音质。处理后的小提琴音色会呈现出更温润、听感上更舒缓的特质，效果和常规移调调整完全不同，区别于直接加载第三方插件实现的同类效果。
标准版与拓展版音域
标准版音色预设覆盖了小提琴的原生录制音域，拓展版音色预设通过拉伸采样文件拓展出原生音符之外的音域范围，非常适合用于创作非常规的泛音效果，或是从相同演奏素材中挖掘出截然不同的全新音色特质。
内置效果器
搭载功能强大、设计精巧的延迟引擎，提供从纯净数字延迟到复古硬件延迟的多种延迟类型，搭配充满创意的“Haze（朦胧润色）”特效，能为这些节奏乐句锦上添花，进一步注入鲜活感与能量。同时还自带卷积混响功能，内置8款定制的脉冲响应文件，可直接为小提琴音色添加混响效果。
运行要求：需使用Native Instruments出品的Kontakt免费播放器版，或是完整付费版Kontakt 7.10.9及以上版本！
主页链接：Rotor 独奏小提琴官方主页
KONTAKT – 31,63 GB
A violin made to move.
Human-performed, tempo-synced loops. Plus dozens of short sounds and flourishes. A truly versatile violin designed for motion.
160 rhythmical performances. Zero hours of programming.
The vast majority of solo violin libraries exist to do two things: sustains and shorts. But that focus leaves an entire side of the instrument almost completely unexplored – the violin as something driven, rhythmic, and in constant motion.
That’s the gap Rotor Solo Violin was built for. We brought in our resident violinist Henry Rankin, threw the rulebook out, and drew influence from the widest possible range of music — creating 160 rhythmic loops. Full of spontaneous moments and unique character. And all of them lock to your DAW’s project tempo without losing any of the human timing that makes them feel real.
On top of that, we captured 15 short articulations, 15 flourishes to give you the raw material for melodies, textures and transitions across the full upper register of the strings. The whole thing was recorded with the same team, equipment and room as Rotor Solo Cello, which means the two sit together in a mix with a naturalness that’s impossible to fake.
This is the rhythmical solution for your orchestral highs.
160 human-performed, tempo-synced rhythms.
The heart of ROTOR. 160 original violin rhythms filterable by tempo, time signature and feel. All loop seamlessly and sync to your DAW’s project tempo — but the human timing and character of the original performance is preserved within the sync. They never sound like a quantised loop because they weren’t recorded as one.
4 playing styles.
Simple, Gentle, Lively and Alternative. 4 distinct performance characters that change the energy and approach of the rhythms.
Shorts and flourishes.
A range of expressive short sounds for melodic content and flourishes designed to add interest and movement between or within your rhythmic loops. These are the tools to build a complete arrangement beyond just loops.
Recored in supreme detail.
Recorded in Studio Two at Nave Studios. A dry and immediate sound, perfect for capturing the detail and nuance of these rhythms.
Engineer Tom Orrell used a set of classic microphones and vintage outboard to tailor the perfect sound, including a beautifully detailed and rich sounding Brauner VMA Valve mic.
Recorded through through Neve and API preamps, a Calrec Q-series desk and captured using world-class Apogee Rosetta 800 analogue to digital convertors.
Doubling and panning
For when one violin isn’t enough. Use Rotor’s doubling feature to access a secondary take of the performances that push the stereo field and give you the sound of two violinists performing the same part in unison. An authentic doubling effect to add width and depth to your music.
4 mics and 4 mixes
Four separate microphone positions giving different perspectives from ultra-close to more distanced. Four pre-built mixes: Close, Natural, Hyped and Ambient. The Hyped mix in particular is one of the most useful options in the library for modern production contexts.
TransPitch™ control
Our proprietary FX which pitch-shifts the violin down and simultaneously transposes it back to the original pitch. The result is a darker, more unsettled quality. The violin will sound duller and slower. This is distinct from standard pitch adjustment and is different to just adding another plugin.
Standard and extended range
STD patches cover the recorded range of the violin. EXT patches extend the range by stretching samples beyond the recorded notes — useful for unusual harmonic territory or for getting a different character from the same performances.
Built-in FX
A powerful and sophisticated Delay engine with multiple delay types from clean digital to vintage hardware plus our inspiring Haze effect. The perfect companion to these rhythmical phrases to add even more life and energy. There’s also a convolution reverb with 8 custom impulses which can be added to the violin.
Requires Native Instruments Kontakt Player or Kontakt FULL v7.10.9 and higher!
