GUISEPPE | 2026年2月 | 1.4 GB
经典的板式混响插件。 我们以精准且细致的方式，对原版 Ecoplate I 板式混响进行了建模，只为呈现真实还原的原声音质。随后，我们在保留原版界面精髓的基础上进行优化，凭借简洁直观的设计融入现代功能，进一步提升其实用性。
规格说明
这是一款音场宽广、质感饱满且奢华的板式混响插件，让工程师与制作人无需费力寻觅笨重的模拟硬件，就能在工作室中便捷地使用原版 Ecoplate I。
设计中融入了多项专属软件新功能，例如支持速度同步的预延迟、低通与高通滤波器，以及模拟模型配置文件——不仅还原了 Ecoplate 原有的底噪，还新增了饱和度控制。
该插件专为高分辨率音频内容建模打造，原生支持最高 192k 的采样率。
衰减时间
- 混响尾音长度可在 1 到 12 秒间调节（该设备在最大设置下，实际衰减时间可超过 12 秒）。
- 与原版硬件一致，向左或向右拨动控制杆，即可调节混响衰减时间，数值直接对应时间（秒）。
- 也可在“混响时间缩放”框中手动输入数值，或点击“-”“+”按钮增减衰减时长。
输入/输出增益控制与电平显示
- 向左或向右滑动输入/输出控制杆，可对输入和输出信号的增益进行提升或衰减。其中输入增益用于调节进入混响引擎前的音频信号，输出控制则调节包含混响效果在内的完整信号。
- 借助中间的 VU 表，可查看输入或输出信号的强度。
- 拖动输入滑块旁的绿色电平表，可查看输入信号的增益；拖动红色电平表，可查看输出信号的增益。
低通与高通滤波器
- 可调节输入和/或输出信号的频带宽度。
- 旋转低通旋钮，可对输入（混响前）或输出（混响后）信号的频带宽度进行滤波处理。
- 旋转高通旋钮，可调节（混响前）或输出（混响后）信号的频带宽度。
- 将鼠标悬停并点击“Low or High-Pass PRE or POST”文字，可切换选择对输入信号还是输出信号进行滤波。选择“Pre”时，滤波对象为干声信号；选择“Post”时，滤波对象为混响信号。例如，该功能支持衰减输入信号的高频部分，同时保留混响的通透感与全频段，仅对所需频率添加混响，以此营造更开阔的声场。
预延迟
- 通过调节干声与湿声信号之间的延迟时长，控制混响的启动时间。
- 旋转预延迟旋钮，可调整延迟时间（单位：毫秒）。通过调整混响前的延迟时长，能腾出声部空间，提升混音清晰度。旋钮向右旋转幅度越大，混响启动时间越晚。
- “速度同步”功能支持以音符时长为单位调节预延迟，可与 DAW 工程的 BPM 和速度设置同步匹配。
附加设置菜单
- 可按需精准调试任意曲目的理想音色。在附加设置菜单中，可调节音色、模拟噪声电平、模拟饱和度及立体声宽度，既能强化低频质感，也可微调立体声声场，适配工程的整体风格。
混响电平控制
- 若将 Ecoplate 作为辅助发送效果使用，混响电平可设为 100%；若直接用于乐器轨，我们提供了两种精准控制混响电平的方式：常规的湿声比例混音模式，以及LVL 模式。在 LVL 模式下，乐器轨道的输入音量始终保持稳定，旋钮仅作为混响电平控制，既确保混音电平不受影响，又能更快捷、精准地调试出理想效果。
模拟模式
- 开启模拟开关，可启用 Ecoplate 的噪声配置文件，还原原版 Ecoplate 硬件的真实底噪。
- 作为专属定制优化，我们还在插件中新增了原版 Ecoplate 硬件不具备的输入电子管饱和环节。
- 开启模拟开关，可打造复古韵味与独特染色；关闭开关，则可保持极致纯净的信号链路。
此版本新增内容
官方网站未提供此版本的更新说明。
系统要求
macOS Mojave 10.14 或更高版本 / Windows 64位系统。
主页
https://www.deptofsound.com/ecoplate
GUISEPPE | 02.2026 | 1.4 GB
The classic plate reverb plugin. We modeled the original Ecoplate I plate reverb with precision and care to deliver authentic true-to-life sound. Then we took the original interface and made it better, adding functionality through a simple, clean design with modern features.
Specifications
A wide, robust, and luxurious plate reverb plugin that allows engineers and producers access to the original Ecoplate I in the convenience of their own studios without having to acquire a hard-to-find and bulky analog unit.
New software-only features are included in the design such as pre-delay with tempo sync, low-pass & high-pass filters, and an analog model profile including Ecoplate’s original noise floor along with an added saturation control.
Modeled for use with high-resolution content, use Ecoplate natively at sample rates up to 192k.
Decay
Reverb tail lengths from 1 to 12 seconds (this unit actually produces over 12 seconds of decay at its max setting).
Just like the original hardware, move the lever to the left or to the right to change the reverb decay time. The numbers correspond to seconds in time.
Type in a value in the “Reverb Time Scale’ box, or use the “-“ “+” buttons to lengthen or shorten the decay time.
Input & Output Gain Control and Metering
Slide the input and/or output levers to the right or to the left to boost or attenuate the gain of the input and output signals. The input gain adjusts the incoming audio before the reverb engine. The output control adjusts the full signal including reverberation.
Use the VU meter in the middle to see the input or output signal strength.
Use the green meter at the input slider to see the gain of the input signal. Use the red meter
Low-Pass & High-Pass Filters
Adjust the frequency bandwidth of the input and/or output signal.
Use the Low-Pass knob to filter the amount of the frequency bandwidth of the input (pre reverb) or output signal (post reverb).
Use the High-Pass knob to adjust the amount of the frequency bandwidth of the (pre reverb) or output signal (post reverb).
Hover over and click on the Low or High-Pass PRE or POST text to choose between filtering the input or output signal. When selecting Pre it will filter the dry signal and when selecting Post it will filter the reverberated signal. As an example, this feature allows you to roll off the top end on your input, but maintain the air and full bandwidth of the reverb, creating a more open soundscape, while only reverberating the frequencies you want.
Pre-delay
Control the timing of when the reverb starts by choosing the amount of delay between the dry and wet signal.
With the Pre-Delay knob, you can adjust the delay time in milliseconds. By manipulating the delay time before the reverb, you can open up space and add clarity to your mix. The further you turn the knob to the right the later the reverb starts in time.
Sync To Tempo allows you to adjust the pre-delay with musical notes, synchronized with your DAW session’s BPM and tempo settings.
Additional Settings Menu
Find your perfect sound for any track. Inside the additional setting menu you can manipulate tone, analog noise level, analog saturation, and stereo width. Fatten up your bottom end, or fine tune your stereo image to match the personality of your session.
Reverb Level Control
When using an aux return for Ecoplate, you may want a 100% reverb level, but when using Ecoplate directly on an instrument, we have provided 2 ways to control your reverb levels with precision. A mix wet percentage is available as a standard option, but when you don’t want your carefully mixed instrument volume to change when manipulating reverb ratios, you can switch over to LVL mode. In LVL mode, your tracks input volume never changes, and the LVL knob acts as a reverb level control, so your mix stays where you want it, and you can get results faster and more precisely.
Analog
With the analog switch, you can turn on Ecoplate’s noise profile which reproduces the sound of the actual Ecoplate hardware noise.
As a custom modification, we also added an input tube saturation stage to the plugin that was not available on the original Ecoplate hardware units.
Turn on the Analog switch for a vintage vibe and added color, or turn it off and keep an ultra-clean signal path.
Whats new in this version
Official site does not provide any info about changes in this version.
System Requirements
macOS Mojave 10.14 or higher / Windows 64-bit.
