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复古场效应晶体管压缩器 Little Sir Rekko Balcony Left 1.0.0 WIN

File size: 38.8 MB

格雷格・威尔斯(Greg Wells)的标志性音色 —— 现已融入你的混音!这是一款独一无二的复古场效应晶体管(FET)压缩器,其电路中承载着 30 年热门唱片的制作印记……
  • 忠实还原格雷格・威尔斯个人专属的复古场效应晶体管(FET)硬件设备
  • 包含由专业艺人定制的人声、鼓组及混音母线预设
  • 支持 Windows 与 MacOS 系统,提供 VST3、AU 及 AAX 格式插件
从教堂露台走向璀璨舞台……

自 1995 年从圣路易斯市一座教堂的露台上被发掘以来,这款独一无二的压缩器近三十年来一直是格雷格・威尔斯的标志性创作工具 —— 从为《马戏之王》(The Greatest Showman)塑造人声,到为阿黛尔(Adele)的《唯一》(One and Only)增添细腻氛围感,皆有它的身影。

为何命名为 “露台左侧”(Balcony Left)?设备面板上贴着一张写有 “balcony left” 的胶带,正是其源自密苏里州一座教堂的 humble 出身的见证。作为牧师的儿子,格雷格自幼便在教堂演奏管风琴,与这款设备有着特殊的情感联结。
让格雷格的这款设备脱颖而出的,不仅是其电路设计,更在于它赋予音乐的独特质感。它不会削弱或压缩声音的表现力,反而能凸显其内在特质 —— 在强化原有声音魅力的同时,增添临场感与情感张力,让听众仿佛忘却音箱的存在,完全沉浸于音乐本身。
将这份独特体验转化为软件,耗费了超过一年的精心研发。最终成品忠实复刻了格雷格数十年来信赖的声音质感与使用体验,甚至连他本人都难以可靠区分软件与硬件的差异。
“露台左侧”(Balcony Left)并非为了复刻一款硬件设备,而是为了传承一段富有创造力的合作关系,让所有珍视音乐性而非机械参数的创作者都能拥有它。

为现代制作流程量身打造

内置采用抗导数抗混叠(anti-derivative anti-aliasing)技术的过采样功能,即便在高强度使用下也能保持音质纯净。优化后的数字信号处理(DSP)技术,让你可同时运行数十个插件实例,无需担忧 CPU 负载。混音控制与动态余量调节功能,赋予了硬件设备从未具备的灵活性。

设计理念:不打扰创作流程

贴合音乐创作的默认参数与实用的控制范围,助你高效工作、保持创作流畅度,专注于为歌曲服务的核心决策,而非纠结于复杂的参数设置。

混合建模架构

采用电路建模与机器学习相结合的混合建模方式。我们在这款设备中发现了前所未有的时序特性与变压器饱和效果 —— 这些独特特质均在插件中得到完整还原。

Greg Wells’ Signature Sound – Now in Your Mix! A one-of-a-kind vintage FET compressor with 30 years of hit records in its circuits…

• Faithful capture of Greg Wells’ personal vintage FET hardware
• Artist-crafted presets for vocals, drums and mix-buss
• Available for Windows and MacOS in VST3, AU, and AAX formats

From a Church Balcony to the Big Stage…
Since being pulled from a church balcony in St. Louis in 1995, this one-of-a-kind compressor has become a signature piece in Greg Wells’ work for nearly three decades – from shaping vocals on The Greatest Showman to adding intimacy on Adele’s “One and Only.”

Why Balcony Left? A piece of tape on the faceplate reading “balcony left” nods to its humble origins in a Missouri church. As a preacher’s kid who grew up playing a church organ, Greg felt a special connection.

What set Greg’s unit apart was not just its circuitry, but how it made music feel. Rather than flattening or shrinking a sound, it revealed its character. It enhanced what was already there, adding presence and emotion while allowing the speakers to disappear and the music to take over.

Capturing that experience in software took over a year of careful work. The result is a faithful recreation of the sound and feel Greg has relied on for decades, to the point where even he could no longer reliably tell the difference.

Balcony Left is not about recreating a piece of hardware. It is about preserving a creative relationship and making it available to anyone who values musicality over mechanics.

Built for Modern Sessions
Internal oversampling with anti-derivative anti-aliasing keeps everything clean, even when pushed hard. Optimized DSP means you can run dozens of instances without watching your CPU meter. Mix and headroom controls add flexibility the hardware never had.

Designed to Stay Out of the Way
Musical defaults and practical control ranges help you work quickly, stay in flow, and focus on decisions that serve the song rather than the settings.

Hybrid Modeling Architecture
Modeled using a hybrid of circuit modeling and machine learning. Timing behavior and transformer saturation was found in this unit that has not been seen in any other – characteristics that are fully captured in the plugin.

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