除独立分轨声部以外，音源还配备全套合奏模式下的演奏技法，方便你快速草拟、创作乐曲，即刻收获理想的演奏音色。
核心特色
‑ 16 位来自伦敦的一流弦乐演奏家
‑ 采用珍贵的电子管麦克风与铝带麦克风实地收音录制
‑ 使用尼夫 Montserrat 话放，接入尼夫 88R 大型调音台
‑ 经由 2 英寸 Studer 磁带机，以 96 千赫兹规格进行数字录音
‑ 多层动态力度、多轮循环采样设计
‑ 音色丰富精细，覆盖基础演奏技法以及多款独家特殊演奏音色
‑ 连音音色由安德鲁・布莱尼专属调试
‑ 独立声部音色 + 合奏整合音色双模式
音源研发幕后故事
我们初代的室内弦乐音源最初仅作为内部专属项目推出，在业内编曲从业者之间广受好评。
最终敲定编制配比：4‑3‑3‑3‑3。我们召集一众实力出众的演奏家，在顶级录音场馆打造出氛围感极强的小型乐团音源。
该音源早年分多卷发售，整体历时四年打磨完成。它也是喷火团队最偏爱的弦乐系列，凭借温润动听的音质、强大的适配性和独一无二的音色特质广受赞誉。
INTIMACY & DETAIL
The word ‘chamber’ describes a band that is smaller than a symphony orchestra — anything from a quartet to 40 players. Our aim was to create the definitive chamber strings project, recorded at The Hall at AIR Studios, giving you that highly sought-after widescreen blockbuster sound, with detail and intimacy — hard to achieve with larger-sized string sample libraries.
We give you 16 world-class players: four 1st Violins, three 2nd violins, three Violas, three cellos & three basses, expertly sampled. Choose from over 244 articulations — including 38 shorts, 53 longs, 19 FX, and 45 extraordinary legato patches, programmed by Andrew Blaney. Each sample has been recorded with multiple round robins and dynamic layers, presented with three essential and versatile microphone positions. In addition to each individual section, we also have a comprehensive selection of articulations and techniques presented in an ‘ensemble’ format, designed for sketching and composing, for instant satisfaction.
KEY FEATURES
– 244 articulations: 38 shorts, 53 longs, 19 FX & 45 legatos
– 16 world-class London string players
– Recorded in situ using priceless valve and ribbon mics
– Neve Montserrat Pre-amps into a Neve 88R desk
– Recorded digitally at 96k via 2″ Studer tape
– Multiple dynamic layers and round robins
– Diverse and detailed, with both essential and totally unique articulations
– Legatos designed by Andrew Blaney
– Individual sections and ensembles
BEHIND THE SAMPLES
Spitfire was built on a chamber strings project. Many of our friends, including A-list composers, complained that sampled strings were unwieldy, ill-defined and too epic. That for much of their output, sensitive and achingly beautiful quiet passages and searing lyricism required less players, and attention to detail. Our first iteration of chamber strings was released as a private project and became hugely popular amongst our peers.
Some, however, noted how it still sounded ‘kind of big’. So we returned to the chamber challenge with a question: How small can we go before it no longer sounds like a section? The answer was 4,3,3,3,3. A uniquely intimate group of extraordinary players in one of the best recording locations. Originally available in volumes, this project has been four years in the making. It is the Spitfire team’s absolute favourite string range, admired for its beauty, versatility and totally unique sonic character.
