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Splice Originals Corridors Hypnotic Acoustic

WAV + MIDI + Astra + Beatmaker | 566 MB

Splice Originals 制作人 Ben Bromley 对原声吉他的这些催眠探索的灵感来自环境流行音乐和迷幻民谣的交集,本着制作人 Bibio、TSewart 和 Dustin Wong 以及早期民谣作曲家兼吉他手 John Martyn 的精神 、琳达·珀哈克斯和埃利奥特·史密斯。

这个包包括一系列在复古乐器上的指弹、扫弦和重采样风格,主要是在两把日本制造的钢弦民谣吉他上进行各种调音——一把 1983 Yairi 和一把 1971 Yamaha,以及一把 1968 年的 Gibson Nylon,一把 1919 年的 吉布森曼陀林和毡锤古筝。

Ben 使用他的声音、来自 Splice 广泛的内部多采样器库的原声弦乐器,以及使用原声弦样本的一批新 Astra 预设,以及免费的 MIDI 和音频循环,构建了分层的歌曲启动器。 这些声音描绘了一个以太和发光的声场,旨在激发您为下一节拍、旋律或歌曲找到新的方向。

这个包还包括一组清脆的音调和打击乐的一次性和弦、音符、FX 和敲击声,以及重新采样的吉他声音,这些声音被塑造成木质底鼓、钢铁般的军鼓、808 式低音音符和丰富的音调。

所有音频均使用 XY 对 Beyerdynamic 小振膜冷凝器和/或 Shure SM-7B 录制到 UA Apollo x4 中。 使用 Ableton EQ 和 FabFilter ProQ3 调整频率。 动态处理是使用 Ableton Compressor、Glue Compressor 和 Drum Bus、UAD Fairchild 670 和 LA-2A 插件以及 Goodhertz Faraday Limiter 完成的。 使用 Soundtoys Decapitator 和 Filterfreak、XLN Audio RC-20、Cymatics Origin、Valhalla SuperMassive、Ubermod、VintageDelay 和 VintageVerb 以及 Goodhertz Tremcontrol 的许多实例对纹理处理进行分层。

 

These hypnotic explorations of the acoustic guitar by Splice Originals producer Ben Bromley were inspired by the intersection of ambient pop and psychedelic folk, in the spirit of producers Bibio, TStewart, and Dustin Wong, as well as earlier folk-adjacent songwriter-guitarists John Martyn, Linda Perhacs, and Elliott Smith.

This pack includes a range of fingerpicked, strummed, and resampled styles on vintage instruments, primarily on two Japanese-made steel-string acoustic guitars in various tunings—a 1983 Yairi and a 1971 Yamaha, as well as a 1968 Gibson Nylon, a 1919 Gibson Mandolin, and a felt-hammered zither.

Ben built layered song starters using his voice, acoustic string instruments from Splice’s extensive in-house multi-sampler library, and a batch of new Astra presets using acoustic string samples, with complimentary MIDI and audio loops. Painting an etheric and glowing soundstage, these sounds were made to inspire you into new directions for your next beat, melody, or song.

This pack also includes a set of crisp tonal and percussive one-shot chords, notes, FX, and knocks, as well as resampled guitar sounds shaped into woody kicks, steely snares, 808-esque bass notes, and lush tonal hits.

All audio was recorded using an XY pair of Beyerdynamic small-diaphragm condensers and/or a Shure SM-7B into a UA Apollo x4. Frequencies were shaped using Ableton EQ and FabFilter ProQ3. Dynamic processing was done using Ableton Compressor, Glue Compressor and Drum Bus, UAD Fairchild 670 and LA-2A plugins, and Goodhertz Faraday Limiter. Textural processing was layered using Soundtoys Decapitator and Filterfreak, XLN Audio RC-20, Cymatics Origin, Valhalla SuperMassive, Ubermod, VintageDelay, and VintageVerb, and many instances of Goodhertz Tremcontrol.

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