Splice Originals Blood and Dust Cinematic Western WAV

Wav | 787.27 MB

在《血与尘:电影西部片》中,我们与卢克·奥马利(Luke O’malley)合作,他创作了分层的吉他作曲。然后我们添加了其他电影元素,如铃铛、哨子、弦乐和定音鼓。我们从Luke在Rockstar games的电子游戏《荒野大镖客》(2008)和《荒野大镖客2》(2017)中的工作中获得灵感。

为了写出符合游戏审美的音乐,Luke将自己沉浸在Ennio Morricone, Luis Bacalov, Bruno Nicolai, Roberto Pregadio, Allesandro Allesandroni, Stelvio Cipriani的意大利西部配乐中。灵感来源包括:《一个叫复仇的男人》、《血与尘》、《黄金沙漠》和《魔鬼来了》等。

除了这些配乐之外,卢克还演绎了一部西方电影在今天听起来的样子,为这部影片增添了现代感。他还手工制作了一个安培套件,是60年代四个不同芬达安培的电路克隆。你会在包中发现的乐器包括班卓琴,古典吉他,钢圈,一把966 Fender Coronado,两把定制吉他Luke在制作《荒野大镖客2》时制作的,等等。

其他使用的装备包括Gamechanger特效的Lightpedal, Chase Bliss的CXM 1978混响(Lexicon 224的复制品),Catalainbread Fuzzrite(所有意大利西部片中使用的Mosrite的再现),黑猫怪物K-fuzz(凯fuzz的复制品),等等。




WAV | 787.27 MB

For Blood and Dust: Cinematic Western, we collaborated with Luke O’Malley, who wrote the layered guitar compositions. Then we added other cinematic elements like bells, whistles, strings, and timpanis. We pulled inspiration from Luke’s work on the video games Red Dead Redemption (2008) and Red Dead Redemption 2 (2017) by Rockstar Games.

To write music that would fit the aesthetic of the game, Luke immersed himself n the Spaghetti Western soundtracks of Ennio Morricone, Luis Bacalov, Bruno Nicolai, Roberto Pregadio, Allesandro Allesandroni, Stelvio Cipriani. Some of the movies that served as inspiration included: A Man Named Vengeance, Blood and Dust, A Desert of Gold, and The Devil Came to Town, among others.

In addition to those soundtracks, Luke channeled what a Western film might sound like today, rounding this pack out with a modern feel. He also built an amp kit by hand that’s a circuit clone of four different Fender amps from the ’60s. Instruments you’ll find in the pack include banjo, classical guitar, lap steel, a 966 Fender Coronado, two custom guitars Luke had built while working on Red Dead Redemption 2, and more.

Other gear used included a Lightpedal by Gamechanger effects, CXM 1978 reverb by Chase Bliss (a replica of the Lexicon 224), Catalainbread Fuzzrite (a recreation of the Mosrite fuzz that was used on all the Spaghetti Westerns), and a Black Cat Monster K-fuzz (a replica of the Kay Fuzz), among others.

The sounds of old Westerns are sampled often and these sounds are already modernized to fit seamlessly into your track or score. Yeehaw, y’all.

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