Team ARCADiA | Hauptwerk | 2.63 GB
Magnuskerk （Anloo， NL）的风琴是由Arp Schnitger的两位同事Johannes Radeker和Rudolph Garrels于1717-1719年建造的。它最初有2个手册，17个停止和一个附加的踏板。器官前有一块徽章板，上面印有资助该器官的富裕家庭的徽章。
1944-1950年，Mense Ruiter对风琴进行了改进。从1990年到2002年，它被Henk van Eeken （Herwijnen， NL）修复/重建。目标是尽可能地重建原始状态。1995年，一场车间火灾导致大部分管道工程的损失，部分重建风琴成为必要。2002年，修复/重建的风琴（包括增加的四个停止踏板）重新投入使用。通过修复，乐器的原声在很大程度上得以恢复。
在修复/重建结果的质量方面，Henk van Eeken与GOArt （Göteborg风琴艺术中心）的合作尤为重要。GOArt是瑞典哥德堡大学管风琴历史、管风琴制作、艺术教育和演奏实践的国际性研究中心。通过科学研究，可以重建历史上的器官建造程序和技术。
这项工作的结果应用于Anloo器官的修复/重建。这样，通过重建1717年的原始工艺和技术，第一次忠实地制造新的风琴管成为可能。例如，将器官金属浇铸在沙子上，然后手动刮薄到正确的厚度。在高度确定的情况下，风琴也恢复了1718年的原始气质和音高（继阿尔普·施尼格，圣科斯梅，斯塔德）。
关于Anloo风琴和样本集（版本2）的更多信息可以在这里找到。
关于这个虚拟器官
使用参考质量设备进行了记录。
版本2以双精度（64位）重新处理，使用我们基于17年数字信号处理算法研究和开发经验的新高质量VPOLab©系统。
这个虚拟器官的亮点
由约翰内斯·拉德克和鲁道夫·加里尔斯创作的著名的巴洛克式管风琴
尺寸：两个手动踏板，28个止点（21个原止点+ 6个扩展止点）
Anloo版本2是半干的（没有混响）。它是为使用IR卷积混响创建的。
在HW5格式的Magnuskerk的两个高质量的真立体声IR（和标准的真立体声IR格式为HW4和HW5基本用户）包括
改进的声音：样品已重新处理与我们新的VPOLab©系统
高质量的声音：器官和特别是延长停止的声音没有完成使用Hauptwerk的声音功能
而是我们高品质的VPOLab©系统。
操作手册：从49键扩展到56键，踏板：从25键扩展到30键
采样分辨率：立体声，32位/48kHz
改进的TremulantTemplate：为每个管道提供单独的震颤波形，使用震颤样本和我们的新TremulantTemplate©2.0算法创建
包括动作噪音（按键，停止等）和鼓风机噪音（可开关）
新的用户界面：版本2提供了几乎所有控制台设置的纵向和横向屏幕，
包括用于原始和扩展功能的单独屏幕。
在《马格努斯克的杰作》一书中，安卢有6种气质
要求:
Hauptwerk版本：4,5,6,7,8
The organ of the Magnuskerk (Anloo, NL) was built in 1717-1719 by Johannes Radeker and Rudolph Garrels, two co-workers of Arp Schnitger. It originally had 2 manuals with 17 stops and an attached pedal. A crest board attached in front of the organ displays the crests of the wealthy families that financed the organ.
In 1944-1950 the organ was modified by Mense Ruiter. From 1990 to 2002 it was restored/reconstructed by Henk van Eeken (Herwijnen, NL). The goal was the best possible reconstruction of the original state. As 1995 a workshop fire lead to the loss of a large portion of the pipe work, the partial reconstruction of the organ became necessary. In 2002 the restored/reconstructed organ including an added four stop pedal was recommissioned. Through the restoration the original sound of the instrument could be regained to a great extent.
With regard to the quality of the restoration/reconstruction result, Henk van Eeken’s cooperation with GOArt (Göteborg Organ Art Center) was of special importance. GOArt is an international research center for organ history, organ building, artistic education and performance practice of the University of Gothenburg in Sweden. Through scientific research it was possible to reconstruct historical organ building procedures and techniques.
The results of this work were applied to the restoration/reconstruction of the Anloo organ. That way it became possible for the first time to faithfully manufacture new organ pipes by reconstructing the original processes and techniques from 1717. For example, the organ metal was cast on sand and subsequently scraped down manually to the correct thickness. With a high degree of certainty the organ has also regained its original temperament and pitch from 1718 (following Arp Schnitger, St. Cosmae, Stade).
Further information about the Anloo organ and the sample set (version 2) can be found [here].
About this virtual organ
Recordings have been made using reference quality equipment.
Version 2 is reprocessed in double precision (64 bit) using our new high quality VPOLab© system based on 17 years of experience in digital signal processing algorithms research and development.
Highlights of this virtual organ
A well-known magnificent baroque organ by Johannes Radeker and Rudolph Garrels
Size: Two manuals, pedal, 28 stops (21 original + 6 extension stops)
Anloo Version 2 is semi-dry (no reverb). It is created for use with IR convolution reverb.
Two high quality true stereo IRs of the Magnuskerk in HW5 format (and standard true stereo IR format for HW4 and HW5 Basic users) included
Improved sound: Samples have been reprocessed with our new VPOLab© system
High quality voicing: Organ and especially extension stop voicing was not done using Hauptwerk voicing features
but our high quality VPOLab© system.
Manuals: extended from 49 to 56 keys, Pedal: extended from 25 to 30 keys
Sample resolution: Stereo, 32bit/48kHz
Improved Tremulant: Comes with a separate tremulant waveform for each pipe, created using tremulant samples and our new TremulantTemplate© 2.0 algorithm
Action noises (keys, stops etc.) and blower noise (can be switched on/off) included
New user interface: Version 2 comes with portrait and landscape screens for practically all console setups,
including separate screens for original and extended functionality.
Comes with the 6 temperaments suggested for Anloo in the book Opus Magnum In De Magnuskerk
Requirements:
Hauptwerk versions: 4,5,6,7,8
