FANTASTiC | 19 March 2023 | 612 MB
在大流行期间，打击乐手布莱恩-罗森沃塞尔和丹尼尔-弗里德曼形成了一种独特的联系，他们一起爬山，在森林的树上敲打，讨论生活和创造力，并从不寻常的物体中找到音乐的疗法，以保持自己的理智。他们用禁闭的时间建立了一种深厚的关系，允许公开的交流和一种不受约束的诚实的感觉，这使他们能够成为最纯粹的创造性的自我。受到他们之间联系的启发，这对组合合作成立了 “嚎叫打击乐”，这是一个小型团体，他们的音乐理念以鼓和每首歌曲的核心节奏为起点。
“这是一种建立基础的奇怪方式–通常没有和声成分，但我们知道我们可以争取我们的音乐朋友来帮助我们弄清楚这些节拍想要去哪里。潜入这种未知的感觉是诱人的，并且以他们甚至无法想象的方式描绘了一幅音符画布。我们对所有的节奏、情绪和风格都持开放态度，但最终我们都没有去过的地方。” – 豪尔打击乐
从这种联系中诞生的是《空中的秘密》，这是一首出色的电影配乐，意味着运动、兴奋、行动和恶作剧。这个样本包是一个强大的、不拘一格的鼓、世界打击乐、铜管乐器和号角的集合，非常适合于抢劫场景、汽车追逐，或作为自信的英雄抓住一天的背景。专业的录音和出色的多样性，这个包一定会有合适的样本，以适应任何制作、得分、视频游戏配乐或同步放置，需要能量与一点点的神秘感。
丹尼尔-弗里德曼（Daniel Freedman）的作品远远超出了他的鼓包的范围。作为一个节奏催化大师，他为他的声音炼金术天赋带来了无限的想象力，影响范围从摇摆的爵士乐到根深蒂固的蓝调，以及来自非洲、中东、拉丁美洲和其他地区的广泛的传统。他的技能使他从90年代初纽约市Smalls爵士俱乐部的肥沃场景走向百老汇舞台，成为大卫-拜恩备受赞誉的《美国乌托邦》以及由斯派克-李导演的电影版的一部分。
布莱恩-罗森沃塞尔从90年代初开始与他的乐队Guster一起精心创作歌曲。在Guster 1999年的开创性专辑《Lost & Gone Forever》（由Steve Lillywhite制作）中，他只使用了他那套折衷的手鼓，没有使用鼓棒，将他的康加琴视为动态乐器，而不仅仅是节奏上的伴奏。作为一个作词人、编曲人和作曲人，布莱恩看到了鼓声之外的整个画面，并继续与Guster一起在世界各地巡演。
294份样本
During the pandemic, percussionists Brian Rosenworcel and Daniel Freedman formed a unique bond together going on hikes percussing on forest trees, discussing life and creativity, and finding therapy in music out of unusual objects to keep themselves sane. They spent lockdown building a deep relationship that allowed for open communication and an earned feeling of unencumbered honesty which allowed them to be their purest creative selves. Inspired by their connection, the duo teamed up to form Howl Percussion, a mini group who’s musical philosophy starts with drums and the rhythmic beat at the heart of each track.
“It’s a strange way to build a foundation – often with no harmonic component, but we knew we could enlist our musical friends to help us figure out where these beats wanted to go. Diving into this unknown felt inviting and a sonic canvas was painted in ways they couldn’t have even imagined. We were open to all tempos, moods, and styles, but ended up places neither of us had been before.” – Howl Percussion
What was born from this connection was Secrets in the Air, a brilliant cinematic score that connotes movement, excitement, action, and mischief. Ideally suited for a heist scene, a car chase, or as the backdrop to a confident hero seizing the day, this sample pack is a powerful eclectic collection of drums, world percussion, brass, and horns. Expertly recorded and brilliantly diverse, this pack is bound to have the right sample to fit any production, score, video game soundtrack, or sync placement that needs energy with a little bit of mystery.
Daniel Freedman extends well beyond the reach of his drum kit. A master rhythmic catalyst, he brings a boundless imagination to his gift for sonic alchemy, with influences ranging from swinging jazz to deep-rooted blues, along with wide-ranging traditions from Africa, the Middle East, Latin America and beyond. His skills have led him from the fertile early ‘90s scene at Smalls Jazz Club in New York City to the Broadway stage, as part of David Byrne’s acclaimed “American Utopia” as well as the movie version of the show, directed by Spike Lee.
Brian Rosenworcel has been crafting songs with his band Guster since the early 90’s. On Guster’s seminal 1999 album “Lost & Gone Forever” (produced by Steve Lillywhite) he used only his eclectic kit of hand drums and no sticks, viewing his congas as dynamic instruments and not just rhythmic accompaniments. As a lyricist, arranger, and songwriter, Brian sees the whole picture beyond the drums and continues to tour worldwide with Guster.
294 Samples
