WAV | 870.32 MB
美国Beat God遇上日本Kaiju God
“DillaZilla”是14个原始样品安排与茎选项的集合。灵感来自传奇制作人J Dilla的声音和他对老日本黑胶唱片的热爱，包括史派西70年代的进步灵魂，爵士，r&b和原声曲目，如富田勋，矢野明子，铃木博，关户茂雄和井部明。a面是东京风格，b面是美国风格。当迪拉和齐拉相遇时，结果是可怕的!
DillaZilla探索的主题围绕着技术、现代化、战争、人类在自然中的地位和破坏。这种方法是使用现场仪器和模拟设备(磁带、踏板、录音设备和最小处理的效果)在最小的安排上创建纹理、音色和运动。
使用现场乐器(rhodes, wurlitzer, clav, mellotron, les paul吉他，p-bass和钟琴)，模拟合成器(moog/模块化，poly模拟合成器)和模拟外置齿轮(1176,LA-2A, EQP-WA, roland re-301空间回声，AP-7喷射相位器，各种模拟吉他踏板)以及附加音效的UA插件。掌握了1/4“磁带!最少的处理和编辑。
调制音乐库DillaZilla MOD-3008 WAV截图
…American Beat God Meets Japanese Kaiju God!…
‘DillaZilla’ is a collection of 14 original sample arrangements with STEMS option. Inspired by the sounds of legendary producer J Dilla and his love for old Japanese vinyl records including spacey 70’s progressive soul, jazz, r&b and soundtracks from the likes of Isao Tomita, Akiko Yano, Hiroshi Suzuki, Shigeo Sekito, and Akira Ifukube. The A-side is Tokyo inspired and the B-side is American inspired. When Dilla and Zilla cross paths, the results are monstrous!
DillaZilla explores themes around technology, modernization, warfare, man’s place in nature, and destruction. The approach was to create textures, timbres, and movement over minimal arrangements using live instrumentation, and analog gear: tape, pedals, recording equipment, and effects with minimal processing.
Using live instruments (rhodes, wurlitzer, clav, mellotron, les paul guitar, p-bass, and glockenspiel), analog synths (moog/modular, poly analog synths) and analog outboard gear (1176, LA-2A, EQP-WA, roland re-301 space echo, AP-7 jet phaser, various analog guitar pedals) along with UA plugins for additional sound effects. Mastered to 1/4” tape! Minimal processing and editing.
