
P2P | 01 November 2025 | 17.79 GB
尽管赫里福德大教堂(Hereford Cathedral)很可能在宗教改革前就已配备管风琴,但有记载的最早管风琴由雷纳图斯・哈里斯(Renatus Harris)制作,可追溯至 1686 年。该管风琴的具体配置现已无从考证,但毫无疑问,它包含一组规模较大的 “主音键盘组”(Great),以及一组规模较小的 “唱诗班键盘组”(Choir)。在之后的约 150 年间,这架管风琴新增了音域较短的 “强弱音键盘组”(Swell),并于 1806 年加装了踏板。到 1832 年,这架管风琴交由 J.C. 毕晓普(J.C. Bishop)负责维护;在塞缪尔・塞巴斯蒂安・韦斯利(Samuel Sebastian Wesley)的支持下,J.C. 毕晓普对其进行了大规模修复。韦斯利创作的扩展圣歌《荒野》(The Wilderness),便是在当年 11 月的管风琴重新启用仪式上首次上演。19 世纪中期,J.C. 毕晓普始终负责这架管风琴的维护工作;1841 年,大教堂进行大型结构工程期间,他还主导将管风琴迁移至唱诗班牧师学院(college of the vicars choral)。
大教堂的结构工程耗时多年才完全竣工。1861 年,人们决定对管风琴进行大幅扩建,并修复各类缺陷。当时的唱诗班指挥弗雷德里克・阿瑟・戈尔・厄斯利爵士(Sir Frederick Arthur Gore Ouseley)否决了 J.C. 毕晓普的方案,转而将扩建工程委托给格雷 – 戴维森公司(Gray and Davison)—— 该公司当时是英国顶尖的管风琴制造商之一。雷纳图斯・哈里斯制作的管风琴箱体在此次工程中被替换,如今我们看到的音管支架与箱体,是按吉尔伯特・斯科特(Gilbert Scott)的设计建造的。新管风琴的制作工期超出预期,最终在 1864 年 6 月 —— 也就是大教堂重新开放一周年之际 —— 正式完工。
将 “OrganDefinitions”(管风琴定义)和 “OrganInstallationPackages”(管风琴安装包)两个文件夹复制到 “Hauptwerk\HauptwerkSampleSetsAndComponents” 文件夹中;
或者,为避免复制操作,可在下载安装文件时直接选择该文件夹作为目标路径(需选择最终文件夹!)。
该音色库可通过两个配置文件进行控制:
- Hereford-Cathedral-67-Stop(赫里福德大教堂 – 67 音栓版)
- Hereford-Cathedral-67-Stop-XL(赫里福德大教堂 – 67 音栓 – XL 扩展版)
其中,XL 扩展版拥有更宽的键盘音域,且在管风琴配置上有多项调整(具体细节详见附件文件 “hereford 67XL-details.pdf”)。
Although it is likely that Hereford Cathedral has enjoyed the provision of an organ since pre-reformation times, the earliest recorded instrument is one by Renatus Harris, dating from 1686. The specification is not known, but doubtless consisted of a sizeable Great with a smaller scale Choir division. Over the next 150 or so years, the organ gained a short compass Swell and pedals were added in 1806. By 1832, the organ had passed into the care of J.C. Bishop, who undertook a major restoration under the auspices of Samuel Sebastian Wesley, whose extended anthem The Wilderness was first heard at the re dedication service in November of that year. Bishop continued to look after the instrument during the middle part of the 19th century and he was responsible for moving the organ to the college of the vicars choral in 1841 whilst major structural work was undertaken in the Cathedral.
This work took many years to fully complete and in 1861 the decision was taken to enlarge the organ significantly and make good various deficiencies. The precentor of the day, Sir Frederick Arthur Gore Ouseley rejected a proposal from J.C. Bishop, choosing instead to offer the work to Gray and Davison, who were then one of the country’s leading organ builders. The Renatus Harris case disappeared at this time, with the pipe rack and case we see today being built to a design by Gilbert Scott. Work on the new instrument took longer than anticipated and the organ was finally ready in June 1864, the first anniversary of the re-opening of the Cathedral.
Copy the OrganDefinitions and OrganInstallationPackages folders to the Hauptwerk\ HauptwerkSampleSetsAndComponents folder ,
or select this folder for downloading the distribution (the final folder!) to avoid copying
The library can be controlled by two configuration files:
Hereford-Cathedral-67-Stop or Hereford-Cathedral-67-Stop-XL
The latter has an extended range of keyboards and
quite a few changes in the disposition
( details are disclosed in the attached file hereford 67XL-details.pdf )
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