25th sept 2022 | Wav Kontakt MPC V2 Ableton Logic Pro X Halion Sonic SE | 778 MB
100 次现代、扎实的踢球 + 专业知识
这是我个人整个职业生涯都想要的样本包。手工精选的现代底鼓集合，可提供即时冲击力和完美控制的亚音速音频，不会淹没您的制作。
像所有 F9 版本一样 – 我们在寻找适合俱乐部的低音鼓的终极包方面超越了一切。
通过世界上最受推崇的采样鼓机之一重新采样，分离每个底鼓的瞬态和主体部分以进行无休止的混搭，添加一整套底鼓层，并以我们著名的采样器格式包装全部。
我非常自豪地介绍 F9 KICK！第 1 卷 – 100 次底鼓，所有这些都是为了让您为您的下一个作品的贝司端打下最好的基础。
包含在这个单一格式包中：
100 X 24 位踢 75 次俱乐部踢，25 次内场踢
100 X 16 Bit Kicks（名称与老式 MPC 和其他采样器兼容）
100 X MPC3K Kicks 全部使用我们的老式 MPC 3000 重新采样
Split Kicks – 所有核心底鼓都被分成“瞬态”和“主体”部分，允许声音的混合和匹配
层 – 用于您的底鼓的叠加层、多种形式的氛围和混响、数字元素和用于额外定制的垃圾摇滚。
Kontakt 5.8.1 库 **
MPC V2.11 扩展（包括免费的 MPC 节拍）
Ableton Rack（从 9.5 开始，标准或套房）
Logic Pro X 资源库（基于 EXS24 / Logic 补丁）
Halion Sonic SE 库（Halion SE 可从 Steinberg.com 免费获得）
100 次核心踢。
75 Club Kicks 开始了这个系列，每一个都是在一个有效的音乐作品中创作的——而不是像许多样本包那样孤立。在制作过程中添加了完美平衡的瞬态和环境层。
25 House Kicks 然后结束这个系列 – 许多来自 909 和其他模拟源，或从我们的几个经典采样器录制。
我们在这个包中涵盖了大量的声音选项，同时确保每一次踢球都是可用的、有力的和适应性强的。
踢球（和所有主要的 WAV 文件）都可以正常使用，也可以从数字满量程调平 -6DB，
MPC 3000 踢。
所有 100 个 Kicks 都被重新采样到 F9 MPC 3000 中，并通过其传奇而有力的音频输出被踢出。
通过 API 527 进行前置放大器，然后我们从一对立体声 Chandler Lil Devil 电感器 EQ 中添加了一丝存在感和分量，然后使用一对立体声 DBX 160X 增加了一点压缩感。从模拟到数字的转换由我们的 Apogee Symphony 系统处理。
由于模拟录音阶段的自然过滤将底鼓向前推进，而 MPC 的 16 位转换器添加了最轻微的嘎吱声，这个底鼓文件夹将为您提供稍微紧凑的低音端。
分裂踢。
所有 100 Kicks 都经过仔细处理，将噪声 (Transient) 和音调 (Body) 元素拆分为单独的文件。由于每次踢球的光谱过程都是相同的，因此可以进行一些几乎不可能立即进行的混搭实验。
您还可以将多个瞬态叠加到一个实体部分，以真正敲击您复合底鼓的听觉至关重要的初始 50 毫秒
使用这些样本获得独特底音的潜力是巨大的 – 并非每种组合都会起作用（这会产生误导），但在我们的调查中，尝试使用此包中的拆分样本从未停止过乐趣。
100 Modern, Solid Kicks + Expertise
This is a sample pack I’ve wanted personally for my entire career. A hand-curated collection of modern kick drums that provide instant punch and perfectly controlled subsonic audio that won’t swamp your production.
Like all F9 releases – we went above and beyond in the search for the ultimate pack of club-ready bass drums.
Resampling through one of the world’s most revered sampling drum machines, Separating the transient and body portions of every kick for endless mix-and-match, adding a whole collection of kick layers and wrapping the whole lot up in our renowned sampler formats.
I’m immensely proud to present F9 KICK! Vol1 – 100 kicks, all created to give you access to the finest foundation for your next production’s bass end.
Included in this single-format pack :
100 X 24 Bit Kicks 75 Club Kicks, 25 House Kicks
100 X 16 Bit Kicks ( Names compatible with vintage MPC and other samplers)
100 X MPC3K Kicks All re-sampled with our vintage MPC 3000
Split Kicks – All core kicks have been separated into ‘Transient’ and ‘Body’ portions allowing for mix-and matching of sound
Layers – A collection of overlays for your kicks, Multiple forms of ambience and reverbs, digital elements and grunge for additional customisation.
Kontakt 5.8.1 Library **
MPC V2.11 Expansion ( Including the FREE MPC Beats )
Ableton Rack ( live 9.5 onwards, Standard or Suite )
Logic Pro X Library ( based around EXS24 / Logic patches )
Halion Sonic SE Library (Halion SE available FREE from Steinberg.com )
100 Core Kicks.
75 Club Kicks start the collection off, every one of them created inside a working musical production – not in isolation like so many sample packs. perfectly balanced transient and ambience layers were added during production.
25 House Kicks then top off this collection – Many sourced from 909 and other analogue sources, or recorded from several of our classic samplers.
We have covered a ton of sonic options here across this pack whilst making sure every kick is useable, punchy and adaptable.
The kicks ( and all main WAV files ) are available normalized and also levelled -6DB from digital full scale,
MPC 3000 Kicks.
All 100 Kicks have been re-sampled into F9 MPC 3000 and kicked back out through its legendary & punchy audio outputs.
Pre-Amped via an API 527 we then added just a hint of presence and heft from a stereo pair of Chandler Lil Devil inductor EQs before adding a tickle of compression with a stereo pair of DBX 160Xs. The conversion from analogue to digital was handled by our Apogee Symphony system.
This folder of kicks will give you a slightly tighter bass end as the natural filtering of the analogue recording stages push the kicks forward whilst the MPC’s 16bit converters add the slightest air of crunch.
Split Kicks.
All 100 Kicks have been carefully processed to split the noise ( Transient ) and tonal ( Body ) elements into separate files. As the spectral process was identical for each kick it allows for some almost impossibly-instant mix-and-match experiments.
You can also layer multiple transients against a solid body portion to really hammer home the aurally-vital initial 50ms of your composite kick
The potential here for unique kick tones using these samples is huge – not every combination will work ( that would be misleading to suggest ) but in our investigations, it has never ceased to be fun to experiment with the split samples in this pack.
