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East West Fab Four v1.0.4-R2R

Team R2R | 2021.12.28 | 13.1 GB

FAB FOUR 是一种虚拟乐器,灵感来自披头士乐队的声音,使用与披头士乐队相同的时代乐器和真正稀有的 EMI 录音设备来创作音乐。

FAB FOUR 音响工程师 KEN SCOTT 参与了五张披头士专辑,包括“A Hard Days Night”、“Help”、“Rubber Soul”、“Magical Mystery Tour”(工程师)和“The Beatles”(工程师)——也被称为“白色专辑”。鼓手 DENNY SEIWELL 和吉他手 LAURENCE JUBER 都是 Paul McCartney 和 Wings 的成员。

要闻速览

* 由道格·罗杰斯制作
* 由 KEN SCOTT (Beatles/David Bowie/Elton John/Supertramp 等) 设计
* 包括正宗的稀有时期吉他(原声和电声)、贝斯、鼓、键盘、弦乐器和其他杂项乐器
* 使用同一种麦克风录制所有乐器(Neumann/AKG/Cole/STC)
* 同种周期放大器 – Fender Tan Showman (1963), Fender Bassman (1963), Vox AC30 (1963), Vox AC50 (1965), Vox Defiant (1966), Vox 730 (1966), Vox 7120 (1966) , Fender Showman (1967), Fender DeLuxe (1967) – 与电吉他一起使用
*同种录音台和前置放大器,包括非常罕见的EMI REDD电子管台,EMI TG12345台(用于录制“Abbey Road”和Pink Floyd的“Dark Side of the Moon”的同一台),以及EMI REDD47前置放大器,用于记录所有乐器
*同种限幅器(Fairchild)和压缩器(罕见的EMI RS124改良Altec)用于动态控制
* 使用同一种 Studer J-37 电子管 4 轨录音

 

FAB FOUR is a virtual instrument inspired by the sounds of the Beatles, using the same kind of period instruments and authentic rare EMI recording equipment the Beatles used to create their music.

FAB FOUR sound engineer KEN SCOTT worked on five Beatles albums, including “A Hard Days Night”, “Help”, “Rubber Soul”, “Magical Mystery Tour” (engineer), and “The Beatles” (engineer) – also known as the “White Album”. Drummer DENNY SEIWELL and Guitarist LAURENCE JUBER were both members of Paul McCartney and Wings.

QUICK FACTS

* Produced by DOUG ROGERS
* Engineered by KEN SCOTT (Beatles/David Bowie/Elton John/Supertramp etc.)
* Includes authentic rare period guitars (acoustic and electric), basses, drums, keyboards, stringed and other misc instruments
* The same kind of microphones were used to record all instruments (Neumann/AKG/Cole/STC)
* The same kind of period amplifiers – Fender Tan Showman (1963), Fender Bassman (1963), Vox AC30 (1963), Vox AC50 (1965), Vox Defiant (1966), Vox 730 (1966), Vox 7120 (1966), Fender Showman (1967), Fender DeLuxe (1967) – were used with the electric guitars
* The same kind of recording desks and preamps, including a very rare EMI REDD tube desk, EMI TG12345 desk (the same kind of desk used to record “Abbey Road” and Pink Floyd’s “Dark Side of the Moon”), and EMI REDD47 preamps, were used to record all instruments
* The same kind of limiters (Fairchild) and compressors (rare EMI RS124 modified Altec) were used for dynamics control
* The same kind of Studer J-37 tube 4-track was used to record everything

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