Team ARCADiA | Hauptwerk | 20.34 GB
法国奥洛伦-圣玛丽大教堂的大管风琴是由著名的管风琴制造者阿里斯蒂德·卡瓦伊·卡瓦伊姆·科尔于1870年建造的。最早的风琴可以追溯到17世纪。它很可能是由凯歌王朝的一位成员建造的。然而，在1789年法国大革命期间，风琴的管风琴被清空了。毫无疑问，这些管道是为了制造弹药而熔化的。1870年，阿里斯蒂德·卡瓦伊·卡瓦伊·卡萨伊·科尔在原有的地方建造了一个新的风琴。同时，他把它涂成棕色。1982年，达尼昂-冈萨雷斯风琴制作公司去掉了棕色油漆，让原来的蓝色油漆显得华丽。他还清洗了乐器。
今天这个风琴的状态和1870年卡瓦伊·卡萨伊·卡萨伊·科尔完成建造时一样。
这些乐器有3个手册，其中两个是有声手册（有指定的停止），一个是耦合手册。耦合器由踏板键盘上方的踏板控制。这个功能，由Barker机器提供，在cavaill<s:1> – coll历史上是相对独特的，并且提供了更多的耦合可能性，特别是第一个键盘的亚倍频耦合器。共有24个音站，分为三个音区，是按照法国传统管风琴结构进行的。
r<s:1>细胞表达-这是我们在当时的大多数accc管风琴中发现的8阶模型。簧片和Octavin 2停止由脚踏板激活。它有一种甜蜜而缓慢的震颤，所有的停止都是封闭的。膨胀箱的阴影安装在箱子的三面。它有一个半音风箱。膨胀箱位于中央部分的后面，位于大奥尔格剖面的高度。
大管风琴-这种12档配置是相当标准的A.C.C风琴，但他们的低音调Plein-Jeu Harmonique基于16英尺，以及16,8和4英尺的簧片，在这样的中小型乐器中是不常见的。它位于主案例中，分为C和c#两个部分。这部分从远景管道的高度开始（管风琴外壳的下部包含巴克机和风箱）。
psm -它由4个站点组成。16号和8号在现实中声音很大。据推测，随着时间的推移，青葱的皮革部分被移除或磨损，导致声音变大，因此在样本集中，这些stops的音量略有减少，以恢复原始声音平衡。本部分分为C和c#两部分，位于框的相对位置。
值得注意的是，阳性的情况是空的，可以追溯到古代器官。它太小了，装不下空调管道。
这个风琴非常兼收并蓄。可以演奏第17部法国古典乐曲或巴赫的作品。它也非常适合演奏法国浪漫主义和交响乐作曲家，如cacimsar Franck， Louis Vierne或Charles-Marie Widor。
该管风琴在法国享有非凡的声誉，是阿里斯蒂德·卡瓦伊·卡瓦伊-科尔管风琴建筑的宝贵见证。
技术细节:
采样率48 kHz
位分辨率24位
通道数6 （3 ×立体声）
颤音模型彩色取样
兼容软件Hauptwerk v. 4.2或更高版本
The great organ of Sainte-Marie cathedral in Oloron-Sainte-Marie (France) was built in 1870 by the famous organ builder Aristide Cavaillé-Coll. The original organ dates back to the 17th century. It was most likely built by a member of the Clicquot dynasty. However, during the French revolution of 1789 the organ was emptied of its pipes. Undoubtedly, the pipes were melted down to make ammunition. In 1870, Aristide Cavaillé-Coll built a new organ in the existing place. At the same time, he painted it brown. In 1982 Danion-Gonzalez organbuilding company removed the brown paint to let appear magnificent blue original paint. He also cleaned the instrument.
Today the organ is in the same condition as in 1870 when Cavaillé-Coll finished building it.
The instruments has 3 manuals, from which two are speaking ones (have stops assigned to them) and one is a coupling one. The couplers are controlled by pedals above the pedal keyboard. This feature, supplied by a Barker machine, is relatively unique in Cavaillé-Coll history and gives more coupling possibilities, especially suboctave coupler for the first keyboard. There are 24 stops distributed into three divisions, which are structured in the French traditional organ construction.
Récit expressif – It’s an 8 stops model that we find in may A.C.C pipe organs at that time. Reeds and Octavin 2 stops are activated by the foot pedal. It has a sweet and slow tremulant, and all stops are enclosed. Shades of the swell box are mounted on three sides of the case. It has a chromatic wind-chest. The swell box is situated behind the central part at the altitude of the Grand-Orgue section.
Grand-Orgue – This 12 stop disposition is pretty standard for A.C.C organs, but their low-pitched Plein-Jeu Harmonique based on 16 feet is uncommon as well as 16, 8 and 4 feet reeds in a small-medium instrument like this. It is situated in the main case, split into C and C# sides. This section starts at an altitude of prospect pipes (the lower part of the organ case contains the Barker machine and bellows).
Pédale – It consists of 4 stops. Bombarde 16 and Trompette 8 are pretty loud in reality. It is supposed that the leather part of the shallots was removed or just worn out over time, what resulted in louder sound, so the volume of these stops was slightly reduced in the sample set to recover the original sound balance. This section is split into C and C# sides on the opposite sites of the enclosure box.
It is worth noticing that the positive case is empty, dating back to the antique organ. It was too small for A.C.C pipes.
This organ is very eclectic. It is possible to play the 17th French classical pieces, or J.S. Bach works. It is also perfect for playing French romantic and symphonic composers, such as César Franck, Louis Vierne or Charles-Marie Widor.
In France, this organ has extraordinary fame, and it is a precious testimony of Aristide Cavaillé-Coll organ building.
Technical details:
Sample rate 48 kHz
Bit resolution 24 bit
Channel count 6 (3 × Stereo)
Tremulant model sampled chromatically
Compatible software Hauptwerk v. 4.2 or higher GrandOrgue
