Team ARCADiA | Hauptwerk | 24.16 GB
完全原始幸存的大71站施泰因迈尔后浪漫的风琴，作品1400，建于1925年，是这个风琴制造者和这个时代的世界独特的乐器。
它是由柏林音乐会管风琴师奥托·邓克尔伯格（Otto Dunkelberg）设计的，他后来在帕索大教堂（Passau cathedral）担任巨型管风琴的管风琴师，被认为是当时世界上最大的教堂管风琴的妹妹和前身。
风琴，二战幸存下来的为数不多的柏林乐器之一，在新巴洛克时期的拆除或修改过程中，显示了阿尔萨斯风琴改革的特点，根据鲁普-施维泽，也由于施泰因迈尔的美国接触，具有这些乐器的特点，如更大的手动和踏板尺寸，广泛的亚和超八度联成器，弦乐合唱团等。
这种气质可以诠释从19世纪到现代的德国、法国和英美音乐，以及20世纪初口味的老音乐。
直到几年前，由于磨损和教堂气候的影响，它几乎无法玩了，在三年的工作中，它被广泛修复，并于2018年再次开放。这个时代为数不多的幸存大型施泰因迈尔风琴之一再次崛起。
与丢失的帕绍大教堂管风琴一起，这个乐器当然可以被描述为斯坦梅尔晚期/后浪漫主义作品的绝对亮点。
圣体基督教堂的混响时间长达6秒。
录音技术
该仪器于2019年10月以48 kHz， 24位录制，使用OrganArt引入的多释放技术。
停止记录与多个释放短，中，长键攻击，以获得最佳的声学映射。
所有的队伍都被额外记录了原始的颤音。
The completely original surviving large 71-stop Steinmeyer post-romantic organ, op. 1400, built in 1925, is a worldwide unique instrument of this organ builder and this era.
It was designed by the Berlin concert organist Otto Dunkelberg, who later worked as an organist of the giant organ of the Passau cathedral, and and is considered the smaller sister and predecessor of what was then the world’s largest church organ.
The organ, which survived WWII as one of the few Berlin instruments and the demolition or modification in the course of the neo-baroque phase, shows features of the Alsatian organ reform according to Rupp-Schweitzer and also, due to Steinmeyer’s American contacts, has characteristics of these instruments, such as larger manual and pedal sizes, extensive sub- and supe- octave couplers, string choirs, etc.
The disposition allows the interpretation of German, French and Anglo-American music from the 19th century to modern, as well as older music in the taste of the early 20th century.
Until a few years ago, becoming almost unplayable due to wear and church climate influences, it was extensively restored during three years of work and was inaugurated again in 2018. One of the few surviving large Steinmeyer organs from this era has risen again.
Alongside the lost Passau cathedral organ, this instrument can certainly be described as the absolute highlight of Steinmeyer’s late / post-romantic Opus.
The Ss. Corpus Christi Church has a reverberation time up to 6 s.
Recording technique
The instrument was recorded in October 2019 with 48 kHz, 24 bit, using the multi-release technique introduced by OrganArt.
The stops were recorded with multiple releases for short, medium and long key attacks for optimal acoustical mapping.
All ranks were additionally recorded with the original tremulant sound.
