WAV | 24-bit / 96 kHz – 961 MB
MAGIC UI 是一套完整的奇幻、RPG 游戏 UI 交互音效库。 很多奇幻 RPG 项目做到中后期，界面音效依旧是拼凑出来的：一段来自 A 素材库的木板吱呀声、B 库的魔法微光、C 库的确认提示音，各个声音风格割裂。大量时间耗费在强行混音适配，挤占真正的设计开发时间。MAGIC UI 把全套交互音效整合为一套风格统一的素材，从最微弱的鼠标悬停，到宏大的任务完成音效，全部音色本身就可以互相适配。 音效分为两层基底：有机实体层实地录制自古老城堡、打字机博物馆的真实木材、石头、金属、玻璃、皮革；叠加魔法音调层，让每一次交互都拥有辨识度独特的听觉标记。
统一声音语言・一套搞定全部界面
菜单导航、选项选中、确认操作、系统提示、战利品拾取、奖励发放、角色成长、任务提示、经济交易，全部交互场景一套素材覆盖。你无需再到处拼凑不同素材库，直接使用这套风格自洽的音效搭建游戏界面。
取材真实实物录制【有机实体层】
实体音效素材在历史古堡、打字机博物馆以及录音棚实地录制。每一次点击、确认音效都带有真实物体的物理重量，听感像是真实物件发出的声响，而不是纯软件生成的电子音效。
实体质感 + 魔法音调双重分层
- 有机实体层：提供物理基底，赋予音效纹理、运动感与真实可信度。
- 魔法音调层：赋予交互情绪与信号意义，标记事件重要等级，把玩家进一步带入奇幻世界观。
明确的声音层级：微点击 → 角色升级大事件
全部交互音效划分清晰的响度层级：
- Tiny（极小）：焦点、鼠标悬停，微弱几乎透明
- Small（小）：选中选项，清脆轻点击
- Medium（中）：确认操作，冲击力更强，带短余韵
- Large（大）：任务完成、等级提升，宏大有电影感
直接把音效拖入工程，它本身就已经对应事件的重要程度。
Designed 成品版｜菜单导航与游戏事件音效
成品版内置 144 个打磨完毕、开箱即用 的奇幻 UI 事件音效，分为两大板块。
- 菜单导航类：焦点悬停、选中、标签切换、确认、无效操作、通知提示、进度状态、大小弹窗开关；瞬态清晰可控，音色风格统一。
- 游戏玩法事件：不同档位奖励、接受任务、检查点、任务完成 / 失败、等级提升、宝箱开启、消散噗声、划过转场、生命 / 魔力药水、买卖交易、地图打开关闭。
既可直接投入项目使用，也可以当作音效设计基底。你可以剪辑、滤波、移调、叠加、剥离分层，适配你的界面风格、混音环境。适合需要快速产出可用 UI 反馈音效，同时保留二次修改自由度的项目。
录制来源说明
为打造可信的奇幻界面，全部素材取材现实实物，再加工为奇幻风格，兼顾真实空间质感与干净可直接使用的录音，不附带多余环境混响。
- 古堡与古建筑：厚重木门铁合页吱呀、古锁转动、卡扣弹开、宝箱开合、木把手、雕花黄铜机械、木地板踩踏、皮质古书翻页，保留真实材质的重量与岁月感。
- 打字机博物馆：老式打字机是重要音源。按键清脆声响用作悬停、选中；重敲击、回车机构作为确认音；内部齿轮、拨杆、弹簧、色带机械声，制作宝箱与复杂界面机械音效。
- 魔法音调音源：弓拉 / 敲击水晶玻璃杯、金属颂钵、玻璃口琴、调音风铃，再结合颗粒合成技术处理实体录音。叠加在实体音效之上，塑造魔法特质，给玩家清晰、满足的听觉反馈。
本音效库的核心特色
✅ 全套素材一体化：不再零散拼凑多套音效库，从悬停到任务完结全部风格统一。 ✅ 实体基底 + 魔法音调的混合设计：普通点击、悬停可以只用实体层；魔法音调只留给重要高光事件，避免全程魔法音效听觉疲劳。 ✅ 内置事件层级关系：音效本身区分轻重大小，不用手动调节响度比例。 ✅ 写实厚重，拒绝卡通廉价感：没有轻浮弹跳的表情包音效、休闲手游那种单薄叮叮声，摒弃冰冷纯电子 UI，每段交互带有重量感。 ✅ BOOM Library 产品生态配套：衔接《MODERN UI》科幻界面、《CASUAL UI》休闲界面，也可搭配本家 Magic 魔法法术音效系列使用。
适用项目
- 从立项之初就需要一套完整层级 UI 音效的奇幻、RPG 作品
- 大型游戏工作室，统一游戏内全部界面交互反馈音效标准
- 大量时间消耗在菜单、背包、地图交互的策略、冒险游戏
- 需要立刻投入成品音效，后期还可以用源文件重新定制界面声音的项目
- 奇幻题材影视、动画，需要带有实物质感的魔法交互音效
使用实操小提示
- 优先用素材包内
SELECT TINY / SMALL / LARGE建立交互音量层级，定好基础关系之后再叠加魔法音调层，保证整体音量比例协调。 - 悬停、普通点击只使用有机实体层；
MAGICAL TONAL PING / MAGICAL TONAL SWELL留给重要事件，突出高光时刻。 - 奖励音效不要简单拉高同一个音效音量，依次使用素材分级：
REWARD NORMAL → MAGIC → RARE → UNIQUE，每一档都预先做好重量与魔法氛围的递进。 - 宝箱、锁、制作交互，可以叠加上
MECH LEVER、METAL MECHANIC（打字机博物馆录制的齿轮拨杆音效），强化机械质感。 - 转场音效匹配面板尺寸：快速滑动用
WHOOSH SHORT；普通菜单开关用WHOOSH；大型厚重面板用WHOOSH LOW。 - 药水类交互，如果成品音效不够用，可以叠加源素材包的
LIQUID液体、GLASS玻璃音效，自定义道具专属交互声。
软件兼容性
标准 WAV 音频格式，几乎全部音视频、游戏引擎软件均可直接导入使用：
音频软件：Logic Pro、Cubase、Nuendo、Ableton Live、Pro Tools、Reaper 剪辑软件：Premiere Pro、Final Cut Pro X、After Effects 游戏引擎：Unity、Unreal；音频中间件 Wwise、FMOD 素材管理：Soundminer、Soundly、Basehead，全部文件携带 UCS 通用分类系统元数据标签，方便关键词检索音效。
MAGIC UI — The Complete Fantasy and RPG UI Sound Effects Library
Three weeks into a fantasy RPG build, the interface still sounds like four different libraries: a wooden creak from one, a shimmer from another, a confirmation tone from a third, none of which agree with each other, and every hour spent forcing them together is an hour not spent designing. MAGIC UI carries the whole interaction vocabulary in one coherent set, from the faintest hover to a full quest complete, built so the parts already belong together. The organic layer was recorded from real wood, stone, metal, glass and leather in historic castles and a typewriter museum, with a magical tonal layer on top that gives every interaction its own recognizable signature.
One Sound Language. One Interface.
Menu navigation, selection, confirmation, system feedback, loot, rewards, progression, quests and economy are all covered in a single set. You stop matching mismatched material from three libraries and start building an interface that already agrees with itself.
Built From Real Material
The organic layer was recorded from real wood, stone, metal, glass and leather, on location in historic castles and a typewriter museum as well as in the studio. Every click and confirm carries the mass of an actual object, so the interface feels held rather than generated.
Organic Meets Tonal
The organic layer gives the interface its physical foundation: texture, motion and credibility. The tonal magical layer gives it purpose: signaling importance, shaping emotion and pulling the player deeper into the fantasy world.
Tiny Clicks To Large Level Ups
Every interaction sits on a defined hierarchy: tiny for focus and hover, small for select, medium for confirm, large for quest complete and level up. Drop a sound into a build and it already knows its place.
Menu Navigation and Gameplay Moments
The Designed edition provides 144 polished, ready-to-use fantasy UI events built around two pillars. For menu navigation it covers focus, select, tab switch, confirm, invalid, notification, progress states and small or large menu open and close, all designed for clear functionality, readable transients, controlled length and consistent character. For gameplay it covers reward tiers, quest accept, checkpoint, complete and fail, level up, chest openings, poofs, whooshes, health and mana potions, buy and sell, and map open and close.
Ready to Implement, Ready to Customize
The Designed sounds can go straight into implementation, and they also work as a sound design base. They can be edited, trimmed, filtered, re-pitched, layered or stripped back to fit a specific interface, hierarchy or mix context. This is the edition to reach for when you need fast, production-ready UI feedback while keeping enough flexibility to adapt the sounds to your own project style.
What We Recorded
To create believable fantasy interfaces, we started from the real, physical materials these worlds are built from and transformed them into something both familiar and magical. Recording ran on location and in the studio, so MAGIC UI carries both the character of real spaces and clean, close, controlled material that drops into an interface without a room attached to it.
Castles and old buildings. We traveled to historic castles and old buildings to capture the foundation of the organic layer. Heavy wooden doors creaking on iron hinges, ancient locks turning, latches snapping into place, chests opening and closing, wooden handles, ornate brass mechanisms, parquet floors creaking under weight, leather-bound books being opened. Every recording carries the tactile weight of real material with mass and history.
A typewriter museum. A particularly rich source was a typewriter museum, where we captured the precise mechanical voice of vintage typewriters and mechanical instruments. The crisp action of individual keys gave us subtle clicks for hover and selection. Heavier strikes and carriage returns provided defined confirmation tones. Internal gears, levers, springs and ribbon mechanics became the raw material for complex interface and chest sounds.
Magical and tonal sources. For the magical and tonal layer we explored a wide range of resonant and harmonic sources: crystal glasses bowed and struck, metal singing bowls, glass harmonicas, tuned wind chimes, and various forms of granular synthesis applied to organic source recordings. Layered over the organic foundation, they define character and deliver clear, satisfying feedback to the player.
What’s so special about this library?
Everything in One Set
Fantasy and RPG games lean heavily on interface sound, and designers often build it the hard way: pulling a wooden creak from one library, a magic shimmer from another, a confirmation tone from a third, then fighting to make those mismatched pieces sit together as one coherent interface. MAGIC UI removes that problem by carrying the whole interaction vocabulary in a single coherent set, from the faintest hover to a full quest complete, built so the parts already belong together.
Organic Foundation, Tonal Character
The construction is deliberately hybrid. An organic noise layer supports motion and process, embedding sounds naturally into the interface through real materials and physical texture. A tonal magical layer defines character and delivers clear feedback, providing identity, melody and emotional weight. The balance between the two is the point. The tonal layer is selective rather than constant: subtle actions like a basic click or hover can sit on the organic sound alone, and the tonal element comes in where it adds real feedback or emotional weight.
Every Sound Knows Its Place
Everything sits on a defined hierarchy, so sounds scale from minimal feedback to large moments in proportion to what just happened. Tiny for focus and hover, very subtle and almost transparent, minimal presence. Small for select, a light click with clear response. Medium for confirm, a stronger impact with added weight and short sustain. Large for quest complete and level up, a big moment with depth, sustain and cinematic feel. A designer dropping a sound into a build does not have to establish that relationship by hand, because it is already built into the set.
Grounded, Not Cartoon
The design brief is as much about what the library refuses to be. No bouncy, emoji-style sounds or playful comedic textures. Not the lightweight ping-and-pop of casual mobile UI. Not a sterile, purely digital interface vocabulary. Every interaction has weight, intent and seriousness, and real materials with crafted texture replace generic synthetic clicks.
Fits Your BOOM Toolkit
Within our own catalog, MAGIC UI is the connection between MODERN UI and CASUAL UI, and it links directly to the Magic Series. That makes it an extension of tools many designers already own rather than a standalone purchase to be weighed from scratch.
Use cases:
– Fantasy and RPG productions that need a full interface sound set built along one hierarchy from the start of the project
– Studio game audio teams standardizing interface and gameplay feedback across a large title, where consistency is the hardest thing to maintain by hand
– Strategy and adventure titles where menu, inventory and map interactions account for a large share of playtime
– Productions that need production-ready interface feedback in the build immediately, with the option to rebuild any of it from the source layers once the interface design settles
– Film and television sound designers working on fantasy and adventure content who need magical interaction detail with real material underneath it
Tips:
– Set your hierarchy first using the Construction Kit’s SELECT TINY, SELECT SMALL and SELECT LARGE categories. The size relationship between them is built into the recorded material, so establishing it before adding tonal layers keeps the whole interface in proportion.
– Hold the tonal layer back on hover and basic clicks. The organic sound alone reads as feedback at that scale. Save MAGICAL TONAL PING and MAGICAL TONAL SWELL for the moments that deserve the weight, which is what makes the large moments land.
– Build reward escalation by moving through the Designed tiers (REWARD NORMAL, REWARD MAGIC, REWARD RARE, REWARD UNIQUE) rather than raising the level on a single sound. Each tier was designed with more weight, magic and rarity than the last.
– Layer MECH LEVER and METAL MECHANIC under chest, lock and crafting interactions. Both categories draw on the typewriter museum sessions, where internal gears, levers, springs and ribbon mechanics were captured as real mechanical action.
– Match the transition to the size of the panel using WHOOSH SHORT for fast swipes, WHOOSH for standard menu open and close, and WHOOSH LOW for large or heavy interface moves. The three tiers were built to sit together.
– For consumables that need more than the Designed potion sounds, layer POTION HEALTH and POTION MANA with the Construction Kit’s LIQUID and GLASS categories to extend the interaction or make it specific to your item design.
COMPATIBLE SOFTWARE
This BOOM Library of creature sounds comes as WAV files, meaning you can import and work with them in any software that can handle this file type.
RICH METADATA EMBEDDED
To provide you with the fastest and easiest workflow possible, all files contain extensive metadata like file description & keywords to quickly find the sounds you’re looking for. Metadata can be read and processed by audio management tools.
ACCORDING TO THE NEW UCS STANDARD
