FANTASTiC | 2026年6月13日 | 414 MB
卢克·普雷蒂（Luke Pretty），艺名Tennyson，出生于加拿大埃德蒙顿，是互联网音乐史上的一位奠基性人物，也是2011年首批SoundCloud明星之一。他早期的作品融合了未来贝斯（future bass）与他从小演奏的炫技爵士乐，风格不拘一格。
后来，他的妹妹Tess加入担任鼓手，两人现场演绎他那些技术精湛又不失趣味的作品，使这对兄妹迅速成为实验电子乐界的宠儿。他们曾在Ryan Hemsworth的Secret Songs、Skrillex的OWSLA以及Ninja Tune旗下厂牌Counter Records等处发布作品。Luke的音乐在每一个扎根的领域都在不断进化。2023年移居东京后，他与日本艺人lilbesh ramko、peterparker69和PASTASTA合作，发行了专辑《aka》，标志着其音乐风格与视野的转变。
《re:grow》是Luke在日本期间的成果，深受东京hyperpop、舞曲以及植物意象（botanica）的启发。尽管我们视他为特立独行的音乐人，但他本人却说，他总觉得自己在追逐一种落后了好几年的声音。经历四季轮回，我们觉得他只是在收获多年前播下的种子：他以为自己在追赶的那些声音，若没有他当初的影响，根本不可能存在。这些甜美的旋律、氛围感十足的音乐底色以及富有质感的打击乐，都是播下的种子，期待未来开花，继续致敬那种推拉之间的张力。
“这些录音在你模糊消失后，沿着山手线走了4,140.4公里。我想我们只是让它re:grow，好让它再次死去。这样下次见面时……就能像第一次一样。对了，水元公园的石灰绿水可不是核辐射造成的！”
300个采样
主页：https://splice.com/sounds/packs/moment/re-grow-a-tennyson-moment/samples
FANTASTiC | 13 June 2026 | 414 MB
Born Luke Pretty in Edmonton, Canada, Tennyson is a formative figure in the history of internet music, among the first spring of Soundcloud stars with his first upload in 2011. The early productions were an eclectic melange of future bass and the virtuosic jazz he grew up playing.
Joined by his younger sister Tess on drums, they performed his technical yet playful productions live, making the siblings quick darlings of the experimental electronic world. Releasing with Ryan Hemsworth’s Secret Songs, Skrillex’s OWSLA, and Ninja Tune imprint Counter Records, Luke’s music continues to evolve in every pot it’s planted in. Following a move to Tokyo in 2023, and collaborations with Japanese artists lilbesh ramko, peterparker69, and PASTASTA, he released his album ‘aka’, marking a shift in sonic influence and perspective.
‘re:grow’ is the fruit of Luke’s time in Japan, and heavily inspired by Tokyo hyperpop, dance music, and botanica. For as idiosyncratic as we hold him, he tells us he feels like he’s always trying to imitate a sound that he’s years behind. Through the cycle of seasons, we feel like he’s just reaping what he sowed years ago: the sounds he thinks he’s chasing couldn’t have existed first without his influence. These sweet melodies, atmospheric music beds, and textured percussion are seeds planted in hopes for future blooms, continuing to honor the push and the pull.
“These recordings traveled 4,140.4 km on the Yamanote Line after you blurred away. I guess we only let it re:grow, so it can die again. So we can see each other the next time… just like the first time. By the way, the lime green water in Mizumoto Park is NOT radioactive!”
300 Samples
