MORiA | AU | VST | VST3 | 11 MB
DSEQ 是一款在频域中工作的动态处理器。DSEQ 通过自适应频段，实时消除数字 harshness（刺耳感）。
DSEQ 可用于所有混音和母带处理场景：
– 人声去齿音（de-essing）
– 抑制鼓、吉他、人声录音中的谐振
– 消除数字刺耳感
– 平衡混音
– 频率区域解掩蔽（de-masking）
– 支持粉红噪声混音/母带处理
DSEQ 完全在频域中工作，通过自适应动态均衡器提供极高的频率选择性。即使大力推动，DSEQ 也能以最高透明度完成工作。这避免了失真、相位问题和伪影，即使面对非常苛刻的音频素材也是如此。DSEQ 还提供多种质量模式，甚至可以处理单一频率。
除此之外，DSEQ 提供了一个非常易用的界面。只需几个参数（阈值、选择性和起音/释放），就能覆盖广泛的应用场景。即使是初始参数设置也能让你的混音更加通透。只需选择阈值参数并逐步降低它。从那里开始，你可以使用预滤波器来聚焦特定频率区域。
DSEQ 附带 AB-LM Lite，提供感知响度匹配。
DSEQ 支持自定义阈值，可将 DSEQ 变成一个智能多段压缩器。
DSEQ2 引入了智能 AI 功能和相应的 GUI 页面，可根据输入材料自动设置 DSEQ。
DSEQ3 引入了增益衰减频谱图和免费的 GUI 缩放与调整大小功能。
动态控制
DSEQ 在频域中分析输入或侧链信号，然后根据阈值触发动态均衡器。这对快速傅里叶变换（FFT）期间可用的每一个单一频率都会执行。
- 频率选择性 决定是否以及在多大程度上影响邻近频率。
- 起音和释放（Attack/Release） 控制动态均衡器的反应速度。
- 斜率（Slope）参数 允许你在进入动态均衡器之前对输入或侧链信号的频谱进行倾斜。正值时，高频动态均衡器更早触发，低频更晚触发。如果你使用粉红噪声混音/母带处理方法，只需将斜率值设为 +3dB。
- GR 强度（GR strength） 像压缩器的比率一样控制增益衰减。
- GR 最大值（GR max） 限制总增益衰减到某个值，以避免过度压缩和伪影。
自定义阈值……（内容省略）……监测 delta 频谱（输入减去输出）并调整预滤波器的响应曲线。
预滤波器控制（Pre-Filter Control）
DSEQ 正常情况下在整个频率范围内工作。你可以将效果限制在特定频率区域（例如高频用于去齿音）。因此，动态均衡器的信号可以通过预滤波器进行处理。DSEQ 提供多种滤波器类型，如切除（cut）、峰值（peak）和搁架（shelf）滤波器。滤波器灵敏度决定信号被动态均衡器识别的强度。
智能 AI（Smart A.I.）
DSEQ V2 通过其智能 AI 功能，让消除数字刺耳感变得更加简单。像往常一样设置 DSEQ，选择所需的 AI 学习模式，按下播放启动 DAW，然后按下学习按钮。DSEQ 会在几秒内计算出最佳的斜率和阈值参数。
功能特性
– 智能 AI 功能
– 智能 AI GUI 页面
– 自适应斜率
– 自适应阈值
– 平滑线性/自然相位动态滤波器
– 全频率范围处理，10Hz – 22kHz
– 7 种不同质量模式：eco eco、eco、normal、high、ultra、ultra 2/3
– 左/右和中/侧处理
– 检测信号全局斜率（例如粉红噪声混音/母带处理）
– 自定义阈值曲线
– 增益衰减限制
– 压缩控制
– 自动最优斜率参数计算
– 自动最优阈值参数计算
– 12 个独立预滤波器频段，模拟/数字风格
– 侧链支持
– 参数 A/B 对比
– 撤销/重做
– 多种信号监测模式（预滤波器、delta、侧链）
– 多种频谱分析模式（立体声、左、右、中、侧）
– 感知响度匹配（由 AB-LM Lite 驱动）
– 扩展输入/输出表，Peak/RMS/EBU/VU
– 窄带扫描模式
– 所有处理模式下的采样精确旁路切换
– 采样率最低支持 192 kHz
– “真正”的过采样，最高 4 倍
– 离线渲染模式
– 增益衰减频谱图
– EQ 速查表
– 频谱斜率的持续计算
– 精确参数输入
– 易用 GUI
– 免费 GUI 缩放和调整大小
– 大量预设，包括智能 AI 设置
– 预设管理，包括自定义设置
– 完整 DAW 自动化支持
– 64 位内部处理
– 非常高效的 CPU 使用设计
– 智能静音处理
– 产品需要许可证密钥激活
– DSEQ 客户可免费更新
本版本更新内容 3.9.4
– 更新：AAX GR 表
系统要求
Mac OS X 10.11 – 14（Intel、Arm M1/2/3），Metal 显卡
主页
https://www.tbproaudio.de/products/dseq
DSEQ is a dynamic processor working in the frequency domain.DSEQ is removing digital harshness on the fly thanks to self-adjusting frequency bands.
DSEQ can be used in all mix and master situations
– de-essing vocals
– taming resonances in e.g. drum, guitar, vocal recordings
– removing digital harshness
– balancing the mix
– de-masking frequency regions
– support of pink noise mixing/mastering
DSEQ works fully in the frequency domain, providing very high frequency selectivity thanks to self-adjusting dynamic equalizers. DSEQ does its job with highest transparency even pushed hard. This avoids distortion, phasing and artefacts even with very critical sound material. And DSEQ offers several quality modes taming even singular frequencies.
On top DSEQ provides a very easy to use interface. With just a few parameters (threshold, selectivity and attack/release) a broad range of applications can be covered. Even the initial parameter set could make your mix more transparent. Just pick the threshold parameter and lower it step by step. From there you can start focusing on specific frequency regions by using the pre-filters.
DSEQ comes with AB-LM Lite providing perceptual loudness matching.
DSEQ supports custom threshold which turns DSEQ into a smart multiband compressor.
DSEQ2 introduces the smart AI function and a corresponding GUI page to setup DSEQ automatically depending on the input material.
DSEQ3 introduces gain-reduction spectrograph and free GUI scaling and resizing.
Dynamic control
DSEQ analyses the input or side chain signal in the frequency domain and triggers then the dynamic equalizers depending on the threshold. This is done for each singular frequency that is available
during the Fast Fourier Transformation (FFT).
The frequency selectivity determines whether and to what extent neighbouring frequencies are also affected. Attack and Release control how quickly the dynamic equalizers react.
The slope parameter lets you turn the spectrum of the input or side chain signal before going into the dynamic equalizers. With a positive slope value the dynamic equalizers with higher frequencies trigger earlier, with lower frequencies later. Just set the slope value to +3dB if you work witch pink noise mixing/mastering method.
GR strength controls the gain reduction like the ratio in a compressor.
GR max limits the overall gain reduction to a certain value to avoid over compression and artifacts.
Custom threshold
Custom threshold turns DSEQ into a flexible and highly accurate mulitband compressor. Use any audio file or DAW input as custum threshold to align threshold of dynamic EQs to your audio material.
Interactive EQ display
The main EQ/spectrum display which lets you monitor the delta spectrum (input minus output) spectrum and adjust the pre-filter response curve.
Pre-Filter control
DSEQ works normally in the entire frequency range. You can limit the effect to certain frequency regions (e.g. highs for de-essing). Therefore, the signal for the dynamic equalizers can be processed using pre-filters. DSEQ offers various filter types such as cut, peak and shelf filters. The filter sensitivity determines how strongly the signal is recognized by the dynamic equalizers.
Smart A.I.
DSEQ V2 makes it even easier to tame digital harshness thanks to its smart AI function. Set up DSEQ as normal, selected desired AI learn mode, press play to start the DAW and then the learn button. DSEQ calculates the optimal slope and threshold parameter within seconds.
Features
– smart AI function,
– smart AI GUI page
– adaptive slope
– adaptive threshold
– smooth linear/natural phase dynamic filter
– full frequency range processing, 10Hz – 22kHz
– 7 different quality modes: eco eco, eco, normal, high and ultra, ultra 2/3
– left/right and mid/side processing
– global slope for detector signal (e.g. pink noise mixing/mastering)
– custom threshold curve
– limit of gain reduction
– compression control
– automatic optimal slope parameter calculation
– automatic optimal threshold parameter calculation
– 12 independent pre-filter bands, analogue/digital style
– side-chain support
– parameter A/B
– undo/redo
– multiple signal monitoring modes (pre-filter, delta, side chain)
– multiple spectrum analyzing modes (stereo, left, right, mid, side)
– perceptual loudness matching (powered by AB-LM Lite)
– extended input/output meter, Peak/RMS/EBU/VU
– narrow-band sweeping mode
– sample-exact bypass toggle for all processing modes
– sample rates min. up to 192 kHz
– “real” over sampling, up to 4x
– offline render modes
– gain reduction spectrograph
– EQ cheat sheets
– continuous calculation of the spectrum slope
– precise parameter input
– easy to use GUI
– free GUI scaling and resizing
– many presets including smart AI setups
– preset management including custom setups
– full DAW automation support
– 64-bit internal processing
– very efficient CPU usage design
– smart silence processing
– product needs to be activated with license key
– free update for DSEQ customers
Whats new in this version
3.9.4
– UPDATE: AAX GR meter
System Requirements
Mac OS X 10.11 – 14 (Intel , Arm M1/2/3), Metal GFX card
