多特・艾利森柔美人声 The Crow Hill Company Dot Allison Dulcet Voice 1.0.0 WIN

File size: 1.5 GB

产品规格

• 包含 10 组音色库
• 5 种元音类型（Ah 啊、Ih 衣、Ee 伊、Oh 哦、Oo 乌）
• 额外附赠人声设计合成器
• 支持音调转换的 “手势控制式乐句”
• 所有人声信号链均在著名的卡斯尔录音室（Castle Sound Studios）精心录制
• 完整效果器套件：含双算法混响、调制延迟与级联粒子重合成效果
• 单旋钮处理工具：含均衡器（EQ）、总线压缩器（Bus Compression）与频率偏移器

官网

A key ingredient of subversive film scores of the counter-culture era. What zeitgeist elements unify a violent cop caper, murder suspense thriller, murder suspense thriller and chilling horror film from the late sixties/early seventies? Well its the use of softly sung solitary female voices. Not in song, but just the pure innocent tone as an instrument. These scores became key influences on Dot’s work as a composer are three seemingly unconnected edgy noir-ish films from the heyday of maverick film-making in the counter-culture era.

But also an era where scores branched away from established musical tropes, experimenting with use of hyper-realistic instruments and effects, electronics, jazz, funk and non ‘western’ instrumentation.​

Lalo Schifrin’s era-defining score for Don Siegal’s hyper masculine DIRTY HARRY offset this story of violence and pursuit with the ghostly tones of a distant solitary female vocal.

Part of Alan J Pakula’s seminal “paranoia trilogy” KLUTE has a standout score by Michael Small. That mixes use of microtonal marimbas combined with an eerie female vocal to add to the sense of confusion.

Of all of the films of this era Polanski’s ROSEMARY’S BABY enjoys the most famous use of female vocals. Sung by the lead Mia Farrow, a lyricless lullaby that chills you to the bone from the outset.

Product Specs
10 included palettes of sound
5 Vowel types (Ah, Ih, Ee, Oh, Oo)
Bonus Vocal Sound Design Synths
Gesture-based phrases with key shifting
Perfectly curated vocal chain captured at the infamous Castle Sound Studios
Full effects suite featuring dual algorithmic Reverbs, modulated Delay and cascading Granular re synthesis
Single dial processing tools including, EQ, Bus Compression & Frequency Shifter