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音色旋钮饱和效果器 Audified ToneKnob Saturator v1.0.2 Win

File Size: 18.5 MB

满足你所有需求的简易饱和效果器。

外在简约,内在精密

ToneKnob Saturator(音色旋钮饱和效果器)是我们全面改版、重新设计的 “单旋钮系列” 中的首款插件。它不仅采用全新设计,在音色表现上也实现了重大突破。基于我们 25 年的行业经验,我们创新性地融合并设定了 1A 均衡器(1A Equalizer)与 U73B 压缩器(U73B Compressor)的电子管谐波失真音色 —— 只需一个旋钮,你便能实现从细腻的声音饱和到极具冲击力的狂野失真等多种效果,还可创造出独特有趣的音效。

ToneKnob Saturator 的最佳适用场景

人声(Vocals)

你的混音中人声是否显得平淡无力,缺乏冲击力、清晰度或独特质感?将这款饱和效果器插入人声轨道的效果链中,置于均衡处理与动态处理之后、空间效果与调制效果之前,转动旋钮直至达到你满意的效果。听到了吗?是不是很棒?

吉他(Guitars)

每位吉他手都知道,要捕捉到像在舞台或排练室里听到的那种悦耳吉他信号有多难 —— 通常录制下来的信号都单薄、乏味且缺乏个性。吉他音色非常适合叠加饱和效果,或许吉他手们会是这款饱和效果器的最大受益者。不妨尝试将旋钮转到 25% 至 50% 的位置,相信你会喜欢这个效果。

贝斯吉他(Bass Guitar)

对许多人来说,这一点可能很新鲜,甚至出乎意料 —— 因为多数贝斯手只有在演奏较硬朗的风格时才会使用饱和效果。但实际上,饱和效果从根本上能帮助贝斯在混音中脱颖而出,凸显模糊的音色细节,并与底鼓形成美妙的衔接(而非黏合或掩盖底鼓)。无论何种音乐风格皆是如此:在摇滚、流行、爵士或抒情民谣中,为贝斯添加适度的饱和效果,都能呈现出色的音色。

鼓组(Drums)

可在鼓组轨道或整个混音中尝试使用这款饱和效果器。转动旋钮,你会听到鼓组如何获得更充足的空间感、清晰度与冲击力 —— 军鼓如何在混音中突出,吊镲如何变得更明亮、更具空间感。当然,你也可以过度叠加饱和效果,为更具实验性的风格创造独特音效。

Simple saturator for all your needs.
Simple on the Outside, sophisticated on the Inside
ToneKnob Saturator is the first plugin in our revamped and completely redesigned one-knob series. Featuring new design, and significant shift in sound. Building on our 25 years of eperience, we’ve creatively combined and set harmonic tube distortion colors of 1A Equalizer and U73B Compressor, so that with a single knob, you can achieve anything from subtle sound saturation to really wild distortion, which can create interesting sound effects.

The best Use cases of ToneKnob Saturator
Vocals
Is the vocal in your mix lackluster, missing punch, sharpness, or interesting color? Insert our Saturator into the effects chain of the vocal track right after equalization and dynamic processing, but before spatial and modulation effects, and turn the knob until you’re satisfied. Hear that? Pretty awesome, huh?

Guitars
Every guitarist knows how hard it is to capture a pleasing guitar signal like we’re used to hearing on stage or in the rehearsal room. Usually, a thin, bland signal without character gets recorded. Guitars love saturation, and perhaps guitarists will appreciate our saturator the most. Try knob positions from 25 to 50%, I think you’ll like it.

Bass Guitar
This might be new or even surprising for many of you because many bassists don’t use it unless it’s for harder styles. Saturation fundamentally helps your bass cut through the mix, highlights undefined tones, and beautifully connects (but not glue and drown) with the kick drum. Regardless of the genre. Tasteful saturation on bass sounds great in rock, pop, jazz, or romantic ballads.

Drums
Try our saturator on the drum group track with the whole mix. Turn the knob and listen to how the drums gain space, clarity, and punch. How the snare starts to cut through the mix, the overheads gain brilliance and space. But, of course, you can overdo the saturation and achieve interesting sound effects for more experimental styles.

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