Team DECiBEL | 28 Aug 2021 | 2.57GB
深色纹理，深色调
– 潜入沉浸式氛围、脉动低音纹理和令人回味的琴键的地下世界
– 使用专门的宏控制轻松增加强度和表现力，或在 ASHLIGHT 引擎中更深入地进行声音设计
– 使用专为 ASHLIGHT 特色引擎设计的真正独特的样本库探索复杂的音色
颗粒的黑暗面
ASHLIGHT 以单色音景、脉动纹理、错综复杂的线索和寒冷的气氛结束了颗粒状的三部曲。它在一个强大的引擎中结合了一个特别录制的样本库与颗粒和样本播放模块，并带有直观的调制控制，用于对变化的强度进行评分，从座位边缘扫描到内省的键和震撼世界的声音墙。
手电筒的声音
弯曲和摩擦的金属、碳、陶瓷、玻璃等 – ASHLIGHT 是对非常规声源的痴迷研究的产物，可以通过引擎探索、转换和爆炸到史诗般的比例。 ASHLIGHT 库中的 360 多个样本集中包括水听器、钹、反馈循环和合成器在内的分层谷物源。一个广泛的声音设计过程进入探索每个声源的特性以创建 300 个预设。
引擎
谷物模块
流线型的颗粒引擎扫描 ASHLIGHT 的专业源材料，以创建超凡脱俗的有机色调。弓形碳物体的最小细微差别可以扩展为史诗垫，金属层可以发展成独特的低音音色，或者可以扫描拟音以寻找关键补丁的幽灵伴奏——同时保留其原始音质。速度同步播放意味着可以在提示上播放上升和过渡。
样品模块
颗粒纹理在示例模块中以一次性方式叠加。合唱团、合成器、噪音、打击乐、脉冲等等可以混合在一起，以提供具有攻击或氛围的补丁；从焦虑到史诗，从寒冷到放松。 ASHLIGHT 的琶音器可用于强力变换、有节奏的模式。采样模块也是分层多采样钢琴、弦乐、颤音琴、陶瓷等的地方，用于构建更多旋律补丁。
表演和调制
表演性调制是一种在 ASHLIGHT 中创建强度波的快速方法。 MIDI 复音表达 (MPE) 支持允许对谷物引擎参数进行复音调制。 X-Y 打击垫可一次提供对多个调制的直观实时控制。使用门限和延迟创建地下脉冲和平流层闪烁，通过过载将声音带到极限，扫掠混响，并通过均衡器和压缩添加最后的润色。
做灯
ASHLIGHT 是 Frank Elting 的颗粒乐器三部曲中的第三部。继明亮的、科幻风格的 STRAYLIGHT 和基于人声的 PHARLIGHT 之后，Elting 与阿姆斯特丹的声音设计师 The Solos 合作，通过弯曲和摩擦从碳到纸板的所有东西来寻找更深沉和更冷的纹理，以寻找沉浸式纹理和更情绪化的音色. Solos 以将他们的标志性声音用于大片电影配乐的预告片而闻名，如哥斯拉、黑豹和正义联盟，以及权力的游戏和行尸走肉等系列。
一目了然：手电筒
产品类型：KOMPLETE乐器
仪器类型：实时电影质感仪器
用于：免费的 KONTAKT PLAYER 6.6 及更高版本，或 KONTAKT 6.6 及更高版本。
声音数量：320+ 主快照
1 个 NKI，包括：263 个颗粒源集，100 个样本集
声音类别：氛围、垫子、主音、过渡、键、效果、低音、脉冲
下载大小：2,67 GB（4 GB 未压缩样本）
系统要求：ASHLIGHT 需要快速 CPU 才能运行，并且需要 Intel i5 处理器或更高版本。
免费的 KONTAKT PLAYER 6.6 及更高版本，或 KONTAKT 6.6 及更高版本。
DARK TEXTURES, DEEP TONES
– Dive into an underworld of immersive atmospheres, pulsating bass textures, and evocative keys
– Easily increase intensity and expression with specialized macro controls, or go deeper into sound design in ASHLIGHT’s engine
– Explore intricate timbres with a truly unique sample library designed specifically for ASHLIGHT’s characterful engine
THE DARKER SIDE OF GRANULAR
ASHLIGHT concludes the granular trilogy with monochrome soundscapes, pulsing textures, intricate leads, and cold atmospheres. It combines a specially-recorded sample library with grain and sample playback modules in a powerful engine with intuitive modulation controls for scoring shifting intensities, from edge-of-your-seat sweeps, to introspective keys, and world-shaking walls of sound.
ASHLIGHT’S SOUND
Bowed and rubbed metals, carbon, ceramics, glass, and more – ASHLIGHT is the product of obsessive research into unconventional sound sources that can be explored, transformed, and exploded to epic proportions by the engine. Layered grain sources including waterphones, cymbals, feedback cycles, and synths count among over 360 sample sets in ASHLIGHT’s library. An extensive sound design process went into exploring the idiosyncrasies of each sound source to create 300 presets.
THE ENGINE
GRAIN MODULE
The streamlined granular engine scans across ASHLIGHT’s specialized source material to create otherworldly organic tones. The smallest nuances of a bowed carbon object can be expanded into epic pads, metal layers can develop into a unique bass timbre, or foley can be scanned for ghostly accompaniments to key patches – all while preserving their original sonic quality. Tempo-synced playback means risers and transitions can be played on-cue.
SAMPLE MODULE
Grain textures layer up with one-shots in the sample module. Choirs, synths, noise, percussion, pulses, and much more can be blended in to provide patches with attack or ambience; from the anxious to the epic, the chilling to the chilled-out. ASHLIGHT’s arpeggiator can be used to power shifting, rhythmic patterns. The sample module is also the place to layer multisampled pianos, strings, vibraphone, ceramics and more for building more melodic patches.
PERFORM AND MODULATE
Performative modulation is a fast way to create waves of intensity in ASHLIGHT. MIDI Polyphonic Expression (MPE) support allows for polyphonic modulation of the grain engine parameters.The X-Y pad provides intuitive real-time control over multiple modulations at once. Create subterranean pulses and stratospheric shimmers with gates and delays, bring sounds to their limit with overdrives, sweep in washes of reverb, and add the finishing touches with EQs and compression.
MAKING ASHLIGHT
ASHLIGHT is the third release in a trilogy of granular instruments from Frank Elting. Following on from the bright, sci-fi-eque STRAYLIGHT and vocal-based PHARLIGHT, it sees Elting work with Amsterdam sound designers The Solos towards darker and colder textures through bowing and rubbing everything from carbon to cardboard in search for submersive textures and moodier timbres. The Solos are known for lending their signature sound to the trailers for blockbuster film scores such as Godzilla, Black Panther, and Justice League, as well as series like Game Of Thrones and The Walking Dead.
AT A GLANCE: ASHLIGHT
Product type: KOMPLETE Instrument
Instrument type: Real-time cinematic texture instrument
For use with: Free KONTAKT PLAYER version 6.6 and higher, or KONTAKT version 6.6 and higher.
Number of sounds: 320+ master Snapshots
1 NKI that includes: 263 grain source sets, 100 sample sets
Sound category: Atmosphere, Pad, Lead, Transition, Keys, Effects, Subs, Pulses
Download size: 2,67 GB (4 GB uncompressed samples)
System requirements: ASHLIGHT needs a fast CPU to run and requires an Intel i5 processor or higher.
Free KONTAKT PLAYER version 6.6 and higher, or KONTAKT version 6.6 and higher.
