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电影吉他 – Big Fish Audio Canyon: Cinematic Texture Guitars MULTiFORMAT

KONTAKT – 3,71 GB | REX – 2,24 GB | RMX – 3,78 GB | AIFF – 3,49 GB | WAV – 3,67 GB

峡谷:电影纹理吉他为您带来了超过6 GB的空间和25个建筑套件,充满了环境和电影吉他的音景。 Big Fish Audio and Sample Factory的Canyon具有驱动节奏,持续和弦,简单的琶音,动感的弹奏和丰富多彩的旋律,可以完美地适合您的下一部作品,用于电视,电影,纪录片或任何需要吉他质感与现代感的项目触摸。 Canyon包含每个文件的Amped版本和Direct Input版本,因此您可以确保完全控制此套件包的音调。

Canyon:Cinetic Texture Texture吉他是使用令人惊叹的复古和传奇吉他和放大器制作的,包括:
-1967年的Fender Stratocaster
-Gibson Les Paul Historic’58
-1966年芬达·巴斯曼·黑脸
-1974年,马歇尔超级领队,1959年
-Mesa Boogie Mark III
-’70橙色OP120
这些组合为您带来了无法被击败的100%真实音色。
峡谷:电影吉他纹理已被格式化为所有行业标准文件类型:Apple Loops,Acidized WAV和REX。每个常用的硬件和软件都将与这些完全开发和可用的格式中的至少一种兼容。
每个音频文件都经过专业剪辑和编辑以完美循环,并以最高质量的24位速率进行录制,以确保绝对高质量的最终结果。
如果您主要使用Apple产品,请确保利用Garageband和Apple Logic中的额外循环标记功能以及Apple专有的时间拉伸和弯音算法。
如果您在Protools,Cubase,Fruity Loops,Ableton Live,Sony ACID或市场上的任何其他DAW内部工作,则酸化的WAV文件非常适合时间拉伸和弯音功能。如今,几乎所有生产中的音乐工具中,酸化的WAV文件都可以用作标准WAV文件。
喜欢采样旋律片段的节奏制作者和艺术家可以利用我们的REX / RMX格式,该格式利用了Stylus RMX中所有强大的编程功能以及Propellerheads Reason中的Dr. Octo REX播放器。

 

Canyon: Cinematic Texture Guitars brings you over 6 GB and 25 construction kits full of ambient and cinematic guitar soundscapes. With driving rhythms, sustained chords, simple arpeggios, dynamic strums, and colorful melodies, Canyon, by Big Fish Audio and Sample Factory, can fit perfectly in your next piece for TV, film, documentaries, or any project needing guitar textures with a modern touch. Canyon includes both Amped and Direct Input versions of every file so you can be sure to have complete tonal control over this collection of kits.

Canyon: Cinematic Texture Guitars was created using amazing vintage and legendary guitars and amps including:
– 1967 Fender Stratocaster
– Gibson Les Paul Historic ’58
– 1966 Fender Bassman Blackface
– 1974 Marshall Super Lead 1959
– Mesa Boogie Mark III
– ’70 Orange OP120
These combinations bring you 100% authentic tone that cannot be beat.
Canyon: Cinematic Guitar Textures has been formatted in all the industry standard file types: Apple Loops, Acidized WAV and REX. Every piece of commonly used hardware and software will be compatible with at least one of these fully developed and usable formats.
Each audio file has been expertly cut and edited to loop perfectly, and has been recorded in the highest quality 24-bit rate to ensure absolutely top quality end results.
If you work primarily with Apple products, be sure to utilize the extra loop tagging functionality in Garageband and Apple Logic as well as Apple’s proprietary time stretching and pitch bending algorithms.
If you’re working inside Protools, Cubase, Fruity Loops, Ableton Live, Sony ACID, or any other DAW on the market, the Acidized WAV files are the perfect fit for time stretching and pitch bending capabilities. The Acidized WAV files can also be used as standard WAV files in almost any music tool in production today.
Beat-makers and artists who love sampled melodic slices can take advantage of our REX/RMX format that utilizes all the powerful programming found in Stylus RMX and the Dr. Octo REX player in Propellerheads Reason.

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