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模拟合成器 – Audio Damage AD051 Continua V1.1.0 WiN OSX LiNUX RETAiL

Audio Damage AD051 Continua V1.1.0 WiN OSX LiNUX RETAiL-SYNTHiC4TE| 26.2 MB

Continua是一种虚拟的模拟合成器,具有一种扭曲:连续可变的三重振荡器。借助三个相互连接的控件来定义波形,Continua几乎可以无限提供波形,特别是当您在混频中添加交叉调制和噪声时。

Continua具有两个滤波器,多达16个一致的声音,丰富的复音调制源和三个板载效果,是一种直观直观的三振荡器模拟式合成器,将高度可控的波形变形置于其架构和工作流程的中心。考虑到波表合成的灵巧谐波偏移,Continua的振荡器从输出正弦波到方波到锯齿波都无缝扫描。四个LFO中的每一个都通过三角波形从双正弦转换为方波;双独立滤波器通过低通,带通,高通和陷波响应连续变型。偏斜和扭曲控制可进一步控制振荡器和LFO波形,并且可以对所有变形控制进行调制,以使焊盘和纹理在振荡器/滤波器级别上不断发展。

从控制振荡器,滤波器和效果器到调制器本身的参数,Continua中没有一个无法调制的旋钮。右键单击任何目标控件,即可自由轻松地分配四个LFO,两个ADSR和两个多级包络发生器,一个采样和保持发生器,两个XY打击垫和八个宏。而且,由于每个LFO和信封都是完全复音的,因此表演的表现力是无止境的,尤其是在使用MPE兼容控制器时。

像振荡器和滤波器一样,Continua的三种效果也倾向于产生持续的,面向环境的声音。混响效果特别显着,提供了一种自定义算法,适用于非常长,密集,严重调制的尾音。而“合唱”和“延迟”模块则带来了语音叠加的增厚效果和令人回味的空间感。

V1.1.0中的更改
>双击预设时,预设管理器现在关闭。
>移除了OpenGL的所有遗留痕迹;这将增强Linux和将来的macOS版本上的兼容性。 Wiindows和iOS版本已经关闭了该功能。我们也将其从macOS和Linux版本中删除了。
> macOS有效负载现在是Universal Binary 2,并且Continua将在Apple Silicon Macs上本地运行。
>由于Apple要求数字签名,因此macOS最低版本现在为10.12“ Sierra”。
> Linux有效负载现在包括VST3版本。

 

Continua is a virtual analog synth with a twist: a continuously morphable threesome of oscillators. With three interconnected controls defining the wave shape, Continua has a virtually limitless supply of waveforms, especially when you add cross modulation and noise in to the mix.

An immediately intuitive three-oscillator analogue-style synth with two filters, up to 16 unison voices, copious polyphonic modulation sources and three onboard effects, Continua puts highly controllable waveform morphing at the centre of its architecture and workflow. Bringing the deft harmonic shifts of wavetable synthesis to mind, Continua’s oscillators sweep seamlessly from outputting sine through square to saw waves; each of the four LFOs transitions from a double sine to square, via triangle waveshapes; and the dual independent filters morph continuously through low-pass, band-pass, high-pass and notch responses. Skew and Warp controls enable further manipulation of oscillator and LFO waveforms, and all morphing controls can be modulated for pads and textures that constantly evolve right at the oscillator/filter level.

There isn’t a single knob in Continua that can’t be modulated, from those controlling the oscillators, filters and effects to the parameters of the modulators themselves. Four LFOs, two ADSR and two multi-stage envelope generators, a Sample & Hold generator, two XY pads and eight macros are freely and effortlessly assignable by right-clicking any target control. And with every LFO and envelope being fully polyphonic, the expressiveness of your performances needs know no bounds, especially when using an MPE-compatible controller.

Like the oscillators and filters, Continua’s three effects are tilted towards the production of sustained, ambient-orientated sounds. The Reverb is particularly notable, housing a custom algorithm geared up for very long, dense, heavily modulated tails; while the Chorus and Delay modules bring voice-stacked thickening and evocative spatialisation.

CHANGES IN V1.1.0
> Preset manager now closes when you double-click on a preset.
> Every last vestige of OpenGL removed; this should increase compatibility on Linux and in future macOS versions. It was already off on the Wiindows and iOS versions; we have removed it from the macOS and Linux versions as well.
> macOS payload is now Universal Binary 2, and Continua will run natively on Apple Silicon Macs.
> macOS minim version is now 10.12 “Sierra” due to digital signing requirements by Apple.
> Linux payload now includes VST3 version.

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