KONTAKT – 13,05 GB
情感大提琴-从来没有，一个虚拟乐器可以演奏与这种水平的表达。
情感大提琴来自慕尼黑的开发人员谐波Subtones是一种虚拟乐器，具有强大的和情感的声音，并打开了表达的未知维度。
无论是电影配乐，流行音乐制作，歌曲创作，古典音乐或现代，前卫的大提琴作品，情感大提琴闪耀通过各种包含的清晰度，直接和纯粹的声音，以及不寻常的演奏技巧和重新弓。
上下文抽样
“背景抽样”是情感大提琴的开发者所称的这个项目背后的哲学，在这个项目中，所有的样本总是记录在一个音乐的背景下，以捕捉真正的乐器演奏家的自然鞠躬和表达。在这种方法中，一个真正的颤音的录音发挥了重要的作用，因为他们总是比添加一个人工颤音更鼓舞人心和有机。
发音，补丁和真正的连奏
情感大提琴是由超过100个发音和他们的变体。通过一个精心设计和智能的脚本，无数的发音连接在一起，以有意义的方式，使他们遵循用户的演奏风格。
该图书馆包含三个主要补丁，包括“情感大提琴”，“Sulponticello”和“谐波大提琴”。这些包含了大多数记录的发音，逻辑联锁和提供一个优雅的对齐的声音，感谢“真正的连奏”。三种不同的过渡类型已经被捕捉在几个会议和模拟，在其他事情中，实际的变化鞠躬的方向或热情的portamento演奏时。用户只需控制速度-节奏的音调转换自动适应您的DAW!
除了主贴片，情感大提琴还包含一个个体贴片，这是一组键开关贴片，具有相同类别的不同发音，如维持，短音，颤音等。特别补丁提供了一些不寻常的发音和效果和堆叠补丁包含主要的发音与标准化的键切换，以匹配堆叠补丁的情感小提琴和情感中提琴。
选择包含的演奏风格:
Spiccimo & frog, Stacc，快速Spiccato，青蛙疯狂，拨奏，精致，精致快速，骄傲颤音，英雄颤音，Martele一半NV 8RR, Martele一半Vib 4RR，皮卡，Fortepiano, Vivid，帕格尼尼运行，中度2，维持非Vib XFDe，表现力XFDe，田园，田园慢，颤音，颤音WT。
装饰钥匙开关
装饰键开关是另一个伟大的特点。与发音键开关不同，这些是临时的，允许已经选择的发音变化。按下其中一个装饰音键开关，当前的演奏风格可以消失到另一种发音或变化可以产生。最后但并非最不重要的，装饰MKS提供典型的效果，如滑音，鞭挞和更多。
的影响
为了按照您的意愿定制大提琴的音色，您可以使用专门为大提琴设计的效果。这些包括一个3波段EQ，一个可切换的sordino和音色功能。后者包含15个基于卷积的预置，从著名的和经验丰富的声音工程师为简单和特征调制的基本声音。
为使用大提琴作为第一椅子大提琴在管弦乐的环境，也有音色问题，把中提琴在其正确的位置在管弦乐室。最后一笔由“Room”和“Reverb”模块提供，它们使用专业录制的卷积混响预置来重现真实房间的声音，也可以单独调节。
你是艺术家!
该界面的情绪大提琴有一些先进的功能，使它更容易为您发挥图书馆。例如，“PolyLegato”可以识别你弹奏的是一个跳跃的旋律线还是一个和弦，“Legato修边”允许你手动调整连奏和portamento过渡的速度。
攻击功能允许您添加一个额外的开始样本独立于当前选择的发音，以便让短的音符流在连奏演奏或模拟苛刻的开始音符。正确的调弦也被考虑:使用“微调弦选项”，最流行的调弦可以应用到中提琴上，并且可以创建全新的调弦。
录音
《情感的大提琴》是在慕尼黑附近的混音大师录音室录制的，那是一间木质镶板的房间，天花板很高，与墙壁的距离尽可能远。为了使用的最大可能的灵活性，两个诺伊曼麦克风，类型KM184和U87，被用于近记录。通过这种方式，房间保持相当微妙，然后你可以创造你想要的声音与你自己的效果。然而，你也可以使用集成的卷积混响。
Emotional Cello – never before, a virtual instrument could be played with this level of expression.
The Emotional Cello from the Munich-based developers Harmonic Subtones is a virtual instrument that features a powerful and emotional sound and opens up unknown dimensions of expression.
Whether film scoring, pop music productions, songwriting, classical music or modern, avant-garde cello compositions, the Emotional Cello shines through a variety of contained articulations, a direct and unadulterated sound as well as unusual playing techniques and rebowing.
Contextual Sampling
“Contextual Sampling” is what the developers of Emotional Cello call the philosophy behind this project in which all samples are always recorded in a musical context to capture the natural bowing and expressiveness of real instrumentalists. In this approach, the recordings of a real vibrato play an important role, as they are always more inspiring and organic than adding an artificial vibrato.
Articulations, Patches & True Legato
Emotional Cello was created from well over 100 articulations and their variants. By means of an elaborate and intelligent script, countless articulations are linked together in a meaningful way so that they follow the playing style of the user.
The library contains three master patches, including the “Emotional Cello”, the “Sulponticello” and the “Harmonic Cello”. These contain most of the recorded articulations, which logically interlock and provide an elegantly aligned sound, thanks to „True Legato“. Three different transition types have been captured in several sessions and simulate, among other things, realistic changes in bowing direction or passionate portamento while playing. The user simply controls the velocity – the tempo of the tone transitions automatically adapts to your DAW!
In addition to the Master Patch, the Emotional Cello also contains an Individuals Patch which is a set of key switch patches with different articulations of the same category such as sustains, shorts, trills and more. The Specials Patch offers some unusual articulations and effects and the Stackable Patch contains the main articulations with standardized key switching to match the stackable patches of Emotional Violin & Emotional Viola.
Selection of the included playing styles:
Spiccimo & frog, Stacc, Fast Spiccato, Frog Madness, Pizzicato, Delicate, Delicate fast, Proud Vibrato, Hero Vibrato, Martele half NV 8RR, Martele half Vib 4RR, Pickup, Fortepiano, Vivid, Paganini Run, Moderate 2, Sustain Non Vib XFDe, Expressive XFDe, Pastorale, Pastorale slow, Tremolo, Trill HAT, Trill WT.
Ornament Key Switches
The Ornament Key Switches are another great feature. Unlike the articulation key switches, these are temporary and allow variations of the already selected articulation. By pressing one of the Ornament Key Switches, the current playing style can be faded into another articulation or variations can be generated. Last but not least, the Ornament MKS offer typical effects like glissando, flageolet and many more.
The Effects
In order to customize the sound of the Cello according to your wishes, you can use effects specially designed for the instrument. These include a 3-band EQ, a switchable sordino and a timbre function. The latter contains 15 convolution-based presets from renowned and experienced sound engineers for easy and characteristic modulation of the basic sound.
For the use of the Cello as 1st chair cello in an orchestral environment, there are also timbre EQs which place the viola in its correct position in the orchestra room. The final touch is provided by the “Room” and “Reverb” modules, which use professionally recorded convolution reverb presets to reproduce the sound of real rooms and can also be adjusted separately.
You are the artist!
The interface of the Emotional Cello has some advanced features to make it easier for you to play the library. For example, “PolyLegato” recognizes whether you are playing a bound melody line or a chord, and “Legato Trimming” allows you to manually adjust the speed of legato and portamento transitions.
The Attack function allows you to add an additional start sample independent of the currently selected articulation in order to let short notes flow in during legato playing or to simulate harsh starting notes. Correct tuning is also taken care of: Using the “Micro Tuning Option”, the most popular tunings can be applied to the viola, and completely new tunings can be created.
The Recording
Emotional Cello was recorded in the Mastermix Studio near Munich, in a wood-panelled room with high ceilings and the greatest possible distance from the wall. For the greatest possible flexibility of use, two Neumann microphones, type KM184 and U87, were used for close recording. In this way, the room was kept quite subtle, and you can then create your desired sound with your own effects. However, you can also use the integrated Convolution Reverb.
