GUISEPPE | 26 July 2026 | 51 MB
售价 75 美元，提供 14 天全功能免费试用，当前版本 v1.1.6。
四大核心模块详解
01 五频段并行电感电路（核心架构）
硬件级动态偏移特性：推高信号驱动电感时，频段中心频率会上移、Q 值同步轻微放宽，完全还原真实模拟硬件行为；
- 固定频点：100Hz / 300Hz / 1kHz / 4kHz / 10kHz；
- Sweep 扫频模式：所有频段可自由自定义任意中心频率。
02 曲线形态：宽幅柔和 / 精准手术刀两种模式
- 精细模式：±5dB，适合母带细微塑形；
- 修复模式：±15dB，用于混音大幅度修正频段问题；
频段形态规则：外侧 4 段（100/300/4k/10k）支持钟形峰值 / 搁架两种形态，1kHz 仅保留钟形峰值模式。
03 电子管 + 变压器模拟染色（IRON & GLASS）
- Color / Voicing：直接修改电子管、变压器本身固有音色特质，不依赖输入驱动量；
- Remanence 剩磁特性：变压器具备记忆饱和特性，瞬态峰值过后会残留磁滞衰减尾音，也是品牌 Remanence 名称来源，赋予声音独有的模拟厚重余韵。
04 电感式滤波 + 无损响度匹配 A/B 对比
- Input/Output 输入输出增益各 ±18dB，可联动锁定，拉高驱动强度时整体响度不变，保证 A/B 对比客观公平；
- 双预设存储槽 A/B，支持一键复制参数快速切换对比方案。
专业实测口碑评价（行业工程师）
- Motown 老牌工程师 Bob Olhsson：默认参数下人声瞬间变得真实通透，仿佛初次聆听 U67 麦克风；
- Hermetech 母带工程师 Gregg Hermetech：自然度远超同类型数字 EQ，音色响应最接近经典无源 Pultec 硬件；
- Kerseboom 母带 Nate Wood：完整保留混音原生质感，无塑料压缩感，混音总线、母带处理首选；
- Robinson Mastering Robb Robinson：模拟温润底色，相位连贯，曲线音乐化，界面流畅，可作为日常主力 EQ；
- Moses Mastering Sam Moses：完美复刻模拟设备优势，同时兼顾数字工作站便捷性，不会替代硬件，但日常使用离不开它。
完整技术规格
- 声道模式：立体声 L/R、中侧 M-S 双模式
- 采样率支持：44.1kHz ~ 192kHz
- 插件格式：VST3 / AU / AAX（64 位）
- 平台支持
- macOS 10.13 及以上，原生兼容 Intel、Apple Silicon；
- Windows 10 及以上；
- Linux 系统同步支持；
- 授权规则：单份授权支持 5 台设备离线激活；
- 试用政策：14 天全功能无锁试用，无需绑定信用卡。
官方主页
IRON GLASS_ is a five-band EQ for mixing and mastering. Instead of running its bands one after another, all five work on the same signal at once and blend back together, the way classic passive hardware did, so they interact and shape sound in ways an ordinary EQ can’t. The signal then passes through a modeled tube-and-transformer stage that reacts like real analog parts, adding weight and color that follows your material.
01
Five bands, in parallel
Five bands run in parallel through a circuit-modeled inductor network, the way classic passive hardware did, so they interact: boosting and cutting near the same frequency shapes sound an ordinary EQ can’t. And nothing here is a fixed response. The same move behaves differently depending on how hard you drive it: push the inductors and the center frequency rises while the Q loosens slightly, just like the real thing. Fixed centers at 100 Hz, 300 Hz, 1 kHz, 4 kHz and 10 kHz, or SWEEP to place them anywhere.
02
Broad or surgical
Each band has five width settings, from a broad, gentle curve to a tight, focused one. One tap to choose. Boosts and cuts go up to ±5 dB for fine work, or ±15 dB when something needs real fixing. The four outer bands can be a shelf or a peak; 1 kHz stays a peak.
03
Tube & transformer character
Glass for the tubes, iron for the transformers, both solved as real circuits rather than a fixed effect painted on at the end. Color and voicing change the character of the tubes and the iron themselves, not how hard they’re driven. And the iron behaves like real iron: it remembers how it just saturated and settles in the moments after a transient. That settling, the trace left behind after the signal passes, is where the name Remanence comes from.
04
Filters & matched A/B
The high-pass and low-pass are solved as real inductors too, not utility filters bolted on, so they shape the bottom and top in keeping with the rest of the circuit; set either to OFF to bypass. INPUT and OUTPUT give you ±18 dB each to set how hard you drive the circuit, and linking them lets you push harder without the volume jumping, so your A/B stays honest. Two setting slots, A and B, with one-click copy between them.
System Requirements
macOS 10.13 (High Sierra)+ (Intel & Apple Silicon)
