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披头士乐队吉他 MusicLab RealRick 6 v6.1.3.7603 Win

 1.34 GB

我们自豪地推出 RealRick 虚拟吉他乐器,它完美复刻了传奇品牌 Rickenbacker®(里肯贝克)电吉他的标志性音色 —— 这种音色已与披头士乐队(The Beatles)的音乐声景永久交织在一起。
20 世纪 60 年代初,Rickenbacker® 的历史与 20 世纪最重大的音乐变革之一永远绑定:来自英国利物浦、留着 “拖把头” 发型的披头士乐队席卷全球。正是披头士乐队让 Rickenbacker® 吉他获得了前所未有的国际关注度。

约翰・列侬(John Lennon)曾拥有至少四款 Rickenbacker® 型号吉他;乔治・哈里森(George Harrison)那把带双包边的 360/12 型号吉他(该型号的第二款量产琴),则在音频频谱的另一端定义了全新音色。其清脆悦耳的声音为《You Can’t Do That》《Eight Days a Week》《A Hard Day’s Night》《Ticket To Ride》等经典曲目增色不少,这样的例子不胜枚举。

吉姆・麦奎因(Jim McGuinn)将 Rickenbacker® 吉他如钟声般清亮的音色,打造成了伯兹乐队(The Byrds)早期风格的核心。谁人乐队(The Who)的皮特・汤森德(Peter Townshend)、清水复兴乐队(Creedence Clearwater Revival)的约翰・福格蒂(John Fogerty)、史提芬沃夫乐队(Steppenwolf)的约翰・凯(John Kay),以及 20 世纪 60 年代众多知名吉他手,都成为了 Rickenbacker® 吉他的忠实使用者。如今,绿洲乐队(Oasis)、珍珠果酱乐队(Pearl Jam)、电台司令乐队(Radiohead)、U2 乐队等顶级音乐人,仍将 Rickenbacker® 吉他纳入他们的音乐武器库。对于 R.E.M. 乐队的皮特・巴克(Peter Buck)、Against Me! 乐队的劳拉・简・格雷斯(Laura Jane Grace)等艺术家而言,Rickenbacker® 更是他们的主力吉他。

RealRick 是一款基于采样的虚拟乐器,采用创新技术实现吉他音色建模,并能在标准 MIDI 键盘上模拟吉他演奏技巧。
依托独特的演奏模式、易用的键盘布局,以及先进的按键 / 踏板 / 力度切换系统,RealRick 具备极高的演奏灵活性 —— 键盘手可借此演绎吉他声部,实现全新维度的逼真表现力。RealRick 几乎涵盖了专业吉他手能用 Rickenbacker® 吉他奏出的所有音色、发音法与演奏技巧,包括闷音、琴桥闷音、泛音、点泛音、同度推弦、扫弦、拨弦、切弦、刮弦等多种技法。
采样以 24 位、96 kHz 的高品质干声格式直接从吉他拾音器录制而成,你可通过常用的放大器模拟器,轻松打造任意所需的吉他音色。
RealRick 包含 8 个吉他音色补丁(patch):
  • 6 弦(6-string)—— 单声道(Mono)
  • 12 弦 A(12-string A)—— 单声道,3 弦组按八度(OCTAVE)调音
  • 12 弦 B(12-string B)—— 单声道,3 弦组按同度(UNISON)调音
  • 6 弦(立体声 / 双轨录制,6-string Stereo/Double-track):
    • 当使用 RealRick 单输出版本时,为完整立体声(模拟 “Rick-O-Sound” 立体声输出)
    • 当使用 RealRick 双输出版本时,为双轨录制音色补丁
  • 12 弦 A 与 12 弦 B(立体声 / 单声道,12-string A and B Stereo/Mono):
    • 主音色(延音,sustain)为立体声(6 弦 / 6 弦分离),附加音色 / 杂音为单声道
  • 12 弦 A 与 12 弦 B(立体声 / 双轨录制,12-string A and B Stereo/Double-track):
    • 当使用 RealRick 单输出版本时,为完整立体声(模拟 “Rick-O-Sound” 立体声输出)
    • 当使用 RealRick 双输出版本时,为双轨录制音色补丁

We are proud to present the RealRick virtual guitar instrument with the unmistakable sound of a legendary Rickenbacker® electric guitar, which became permanently intertwined with the sound of The Beatles.

In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers.
John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few.
Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.

RealRick – sample-based virtual instrument with an innovative approach to guitar sound modeling and guitar techniques emulating on a standard MIDI keyboard.

RealRick provides incredible playability based on the unique performance modes and easy-to-use keyboard layout as well as the advanced key/pedal/velocity switch system allowing a keyboardist to perform guitar parts with a whole new level of realistic expression. RealRick covers practically all sounds, articulations, and techniques a professional guitarist can produce on his Rickenbacker®, including mute, bridge mute, harmonics, pinch harmonics, unison bend, strumming, picking, chord chopping, scrapes, and much more…

24-bit 96 kHz high quality dry samples recorded directly from pick-ups let you easily create any desired guitar sound using your favorite amplifier simulator.

RealRick includes 8 guitar patches:

6-string – Mono
12-string A – Mono, 3rd string pair tuned in OCTAVE
12-string B – Mono, 3rd string pair tuned in UNISON
6-string (Stereo/Double-track):
– full Stereo (emulates ‘Rick-O-Sound’ stereo output) when used in RealRick single output version
– double tracked patch when used in RealRick two output versions
12-string A and B (Stereo/Mono):
– main (sustain) sound is Stereo (6/6 strings split), additional sounds/noises are Mono
12-string A and B (Stereo/Double-track):
– full Stereo (emulates ‘Rick-O-Sound’ stereo output) when used in RealRick single output version
– double tracked patch when used in RealRick two output versions

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