TeamCubeadooby | x64: VST3, VST2, .aaxplugin – x86: JBridge Files | 10.2 MB
没有其他插件像 Fault 一样具有操纵音高和时间的综合能力。无论是用于混音以加强弱音轨，还是用于声音设计以完全破坏乐器以使其无法辨认，Fault 的应用仅受您的想象力的限制。包括 100 多个工厂预设——包括来自 The Crystal Method 的 Richard Devine 和 Scott Kirkland 等贡献艺术家的设置——通过 Fault 寻找创意灵感既有趣又引人入胜。
三个主处理器为故障的综合频谱控制提供动力。双通道 Pitch Shifters 以音乐方式将声音向上或向下调整一个完整的八度音程，步长小至 0.1 个半音。立体声移频器可以通过精确的 FM 控制进行调制，以创造出优美而和谐的声音。立体声延迟使用跨通道反馈和过滤器来增加沉浸式深度。如果这还不够，每个控制旋钮和开关设置都可以由多达八个强大而灵活的调制器动态控制，其中两个是 1.1 版中的全新：步进音序器和 ROLI Lightpad（用于与 ROLI 的无缝集成最新的 MIDI 控制器硬件）。
药物或肢解——你选择！
Fault 精神分裂的个性可以将您的曲目带向您想要的任何方向：使无聊的曲目听起来更丰富、更令人兴奋，或者将原始曲目带到调频混乱的下一个层次。将移频器置于环形调制模式并撒上短暂的延迟，以使沉闷、毫无生气的军鼓像鞭炮一样发出嘶嘶声。对你的工业心脏来说还是太温顺了吗？过滤和反馈故障的音高移位器，并添加一点点瞬间延迟，使军鼓的打击听起来像是在寻找潜艇的声纳！如果你能想象到，Fault 会带你去那里。
与大多数倍频器相比，Fault 的可自由分配调制器为人声创造更逼真的 ADT（自动双重跟踪）效果。使用第二个 LFO 调制一个 LFO（修补到立体声 Pitch Shifters），以创建磁带录音机风格的变速 ADT 效果，就像披头士乐队在他们的歌声中使用的那样！断层对于硬岩和高岩生产也是必不可少的。在房间麦克风上创建沉重的亚八度音阶效果，将鼓声带到地狱的深处。使用移频器的 FM 控件使三角钢琴音轨听起来像水下的电子键盘。或者像小鸟啁啾。故障无止境。
使用基于正弦的调制器无法获得您想要的模式？没问题 – 您还可以使用完整的步进音序器调制参数甚至其他调制器，或者使用新的 ROLI Lightpad 控制器集成通过简单的手势轻松实时控制多个参数。
当然，Fault 还可以创建日常处理所需的所有常规效果，包括乒乓延迟、合唱、镶边等。独立的立体声参数有助于扩展声音，而内部 M/S 矩阵允许宽度控制和可选输出到中间和侧面组件以进行进一步处理。但是，Fault 与其他插件的不同之处在于它能够创造出令人震惊的、不容忽视的新声音。分发安全带——错误会动摇你的听众的核心。
特征
• 100 多种预设，包括来自 Richard Devine、The Crystal Method、Mirrorball Entertainment 和 Air Studios 的 Toby Pitman 的设置
•无伪影频率和音调调制
•双通道移音器可以立体声链接并量化为整整数半音
•立体声移频器可以使用高分辨率FM频率和深度控制进行调制
•立体声延迟可以同步到主机的节奏
•六个反馈路径——移频器和延迟各三个——包括跨通道反馈
•Unfiltered Audio 的旗舰调制系统提供 8 个可自由分配和完全自动化的调制器，带有拖放式虚拟跳线：正弦 LFO、锯齿/三角 LFO、方波 •LFO、输入跟随器、采样和保持噪声、宏控制旋钮、步进音序器和 ROLI Lightpad
•Mid/Side 处理将立体声图像从单声道调整为超宽，并提供可选的 M/S 输出以进行进一步处理
•高通和低通滤波器可以切换以只处理湿信号或干湿信号
•干/湿控制提供并行处理
•内置软限幅器、抗混叠滤波器、低保真采样率控制和环形调制器模式
• 新的 25 Hz 高通滤波器选项可提高移位器性能
•改进的音高变换器，可通过选项菜单获得
•扩展了界面缩放选项的选择
•随机预设功能
•现在包括一个 OpenGL 切换开关，适用于使用不受支持的显卡的 Windows 用户
No other plugin has the comprehensive ability to manipulate pitch and time like Fault. Whether used at mixdown to fortify weak tracks or in sound design to totally mangle instruments beyond recognition, Fault’s applications are limited only by your imagination. With over 100 factory presets included – featuring settings from contributing artists like Richard Devine and Scott Kirkland from The Crystal Method – finding creative inspiration with Fault is fun and engaging.
Three main processors power Fault’s comprehensive spectral control. Dual-channel Pitch Shifters musically retune sounds up or down as much as a full octave, in steps as small as 0.1 semitone. The stereo Frequency Shifter can be modulated by precision FM controls to create beautiful and discordant sounds alike. Stereo Delays use cross-channel feedback and filters to add immersive depth. And if that weren’t enough, every control knob and switch setting can be itself controlled dynamically by up to eight powerful and flexible modulators, two of which are brand new in version 1.1: Step Sequencer, and ROLI Lightpad (for seamless integration with ROLI’s latest MIDI controller hardware).
Medicine or Mutilation—You Choose!
Fault’s schizophrenic personality can take your tracks in any direction you want: make boring tracks sound richer and more exciting, or take pristine tracks to the next level of frequency-modulated mayhem. Place the Frequency Shifters in ring modulation mode and sprinkle with short delays to make a dull, lifeless snare drum sizzle like a firecracker. Still too tame for your industrial heart? Filter and feed back Fault’s Pitch Shifters and add a smidgen of split-second delays to make snare hits sound like sonar hunting for submarines! If you can imagine it, Fault will take you there.
Fault’s freely assignable modulators create more realistic-sounding ADT (automatic double tracking) effects for vocals than most doublers. Modulate an LFO—patched to the stereo Pitch Shifters—with a second LFO to create tape recorder-style varispeed ADT effects like the Beatles used on their vocals! Fault is indispensable for hard rock and alt-rock productions, too. Create heavy sub-octave effects on room mics to send drums to the depths of Hell. Use the Frequency Shifters’ FM controls to make a grand piano track sound like an electric keyboard under water. Or like tiny birds chirping. Fault knows no bounds.
Not getting the patterns you want with sine-based modulators? No problem – you can also modulate parameters or even other modulators with a full blown step sequencer, or effortlessly control multiple parameters in real time with simple gestures by using the new ROLI Lightpad controller integration.
Of course, Fault can also create all the conventional effects you need for everyday processing, including ping-pong delays, chorus, flanging and more. Independent stereo parameters facilitate the ability to broaden sounds while an internal M/S matrix allows for width control and optional output to Mid and Side components for further processing. But what sets Fault apart from other plugins is its ability to create startling, new sounds that can’t be ignored. Hand out seatbelts—Fault will shake your listeners to their core.
FEATURES
•Over 100 presets featuring settings from Richard Devine, The Crystal Method, Mirrorball Entertainment, and Toby Pitman of Air Studios
•Artifact-free frequency and pitch modulation
•Dual-channel Pitch Shifters can be stereo-linked and quantized to whole-integer semitones
•Stereo Frequency Shifter can be modulated using high-resolution FM Frequency and Depth controls
•Stereo Delays can be synced to host’s tempo
•Six feedback paths—three each for the Frequency Shifter and Delays—including cross-channel feedback
•Unfiltered Audio’s flagship modulation system provides eight freely assignable and fully automatable modulators with drag-and-drop virtual patching: sine LFO, sawtooth/triangle LFO, square-wave •LFO, input follower, sample-and-hold noise, macro control knob, Step Sequencer, and ROLI Lightpad
•Mid/Side processing adjusts stereo image from mono to super-wide, and provides optional output in M/S for further processing
•High Pass and Low Pass filters can be switched to process just the wet signal or both wet and dry
•Dry/Wet control provides parallel processing
•Built-in soft clipper, anti-aliasing filters, low-fi sampling rate control and ring-modulator mode
•New 25 Hz high pass filter option for improved shifter performance
•Improved pitch shifter, available through the Options menu
•Expanded choice of interface scaling options
•Randomize Preset feature
•Now includes an OpenGL toggle switch, for Windows users with unsupported graphics cards
Whats new in this version
Version 1.4.0 (Mar 30, 2022)
– added Apple Silicon support
Version 1.3 (02/18/2020)
– Full Catalina support and notarization
– HiDPI support improvement
– OpenGL Removed
Version 1.0 (Jul 6, 2016)
– Release version
System Requirements
Windows 11 down to Windows 8
