大小：196G
在与Spitfire Audio的第四次合作中，传奇的开拓者Hans Zimmer展示了终极的钢琴库。汉斯的精锐工程师团队和屡获殊荣的Spitfire机组人员在Air Studios的大厅里录制了数周之久。该库体现了汉斯所说的“千载难逢”的机会，可以创造出一流的写作工具来甄别全世界的作曲家。
该库是一个免费的“ KONTAKT PLAYER”库，不需要进一步购买即可发挥其全部潜力。
特征：
达到平衡，可为您提供超现实的体验，该体验健壮且可扩展到不同电源的系统。在您的主要设备上使用多个麦克风选择和多个轮询，将它们缩放以供您在笔记本电脑上使用，以进行从洛杉矶到纽约的红眼之旅。您可以在专门准备的“软”补丁中炒作更安静的图层，我们有一些非常安静的发音供您研究。在发行版中，有16个麦克风位置，而树则提供了适合大型管弦乐队演奏的理想环境，非常有用的“中音”将钢琴的亲切感与大厅美丽的宽屏效果结合在一起，紧密的“现场”立体声麦克风对，被巨大的乐器吞没，为您提供纯净而私密的录音。还有大量的效果器和可演奏的“附加技术”乐器，其特色是利用许多不同的技术以及大量棉花芽和回形针的初学者钢琴演奏家西蒙·张伯伦和打击乐高超的保罗·克拉维斯的才华！
这是工具的老爹，虚拟仪器的Bugatti Veyron，样本软件的Concorde。如果您在钢琴上或为钢琴写乐谱，并且觉得自己应该得到一段制作历史，那比购买自己的演唱会总成本要高得多。如果您感到尊敬并钦佩制作真正与众不同的工艺，会感到很满意吗？然后，您应得到HZP。
In his fourth collaboration with Spitfire Audio, the legendary trailblazer Hans Zimmer presents the ultimate piano library. Recorded in the Hall at Air Studios over many weeks, with Hans’ crack team of engineers, and the award-winning Spitfire crew. This library embodies what Hans described as a “once-in-a-lifetime” opportunity to create a top-of-its-class writing tool for discerning composers the world over.
THIS LIBRARY IS A FREE “KONTAKT PLAYER” LIBRARY AND REQUIRES NO FURTHER PURCHASES TO OPERATE TO ITS FULL POTENTIAL.
FEATURES:
Balanced to give you an ultra-realistic experience that is robust and scaleable to differently powered systems. Use more than one mic selection and multiple round robins on your main rig, scale them back for use on your laptop for that trip on the red-eye from LA to New York. You can hype the quieter layers in a specially prepared “soft” patch and we have some extraordinarily quiet articulations for you to investigate. With the release edition there are 16 mic positions with the tree offering up a lush contextual position ideal for larger orchestral arrangements, highly useful ‘mid range’ that couple the intimacy of the piano with the beautiful wide screen effect of the hall, to a series of close “spot” stereo mic pairs, engulfed by the huge instrument to give you a pure and intimate recording. There is also a huge array of effects and playable “additional techniques” instruments that feature the talents of first-call pianist Simon Chamberlain and percussion supremo Paul Clarvis utilising many different techniques and a large supply of cotton buds and paper clips!
This is a big-daddy of a tool, the Bugatti Veyron of virtual instruments, the Concorde of sampleware. If you write scores on, or for piano, and feel you deserve a piece of production history that has cost considerably more than buying a concert grand of your own. If you feel respect and admire the craftmanship that goes into making something truly special? Then you deserve HZP.
