KONTAKT – 1,45 GB
废除了加勒比地区的奴隶制之后，东印度契约劳工来到了西印度群岛的大熔炉，带来了另一种文化。他们带来的最重要的元素是他们的音乐身份。东印度契约劳工主要来自印度斯坦带，主要在特立尼达和多巴哥，苏里南和圭亚那种植糖种植园。
该样本库提供的内容包括西印度克里奥尔语音乐创新历史中出现的两个主要音乐子流派，这两者都是东印度移民在加勒比海地区的存在的结果。
酸辣酱音乐是从Bhojpuri民间音乐演变而来的。所使用的主要乐器是口琴，dhantal和dholak。这种传统的酸辣酱声音是加勒比地区印度侨民原始和有机表达的开创性形式。多年来，酸辣酱的旋律和节奏不断发展，以适应技术和口味的变化，同时随着狂欢节行业的发展而向前迈进，从而产生了酸辣酱-索卡（Cutney-Soca）的跨界流派。然而，酸辣调味品仍然保留了dholak的狂热节奏，加上和声的旋律奔放和舒缓的嗡嗡声，以及传统的旋律和安排。触手可及的地方是真正的dholak，dhantal和harmonium样本和循环的库。还包括流行的ad-lib和表达式的声音样本，以帮助您将即刻的天赋带入您的作品中。
塔萨鼓是从印度北部和中部平原演变而来的。所使用的主要乐器是Dhol或低音鼓，与加勒比海相当的nagara（称为kutter鼓），以及Jhanj ym。塔萨（Tassa）的感染性节奏已成为双岛共和国庆祝活动的代名词。雷鸣般的低音与刺穿的碎屑相伴而来，唤醒了身体，使其顺应其命令。塔莎（Tassa）是所有印度传统婚礼和庆祝活动的支柱，现在可以无缝地应用于任何音频作品中。它的感染力可以应用于任何打击乐团和创意。
特征：
可以访问以下3100种手工制作的音乐样本：
+酸辣酱
-谐音– 2 x –单打击x 3速度层和模拟噪音。
-Dhatal –
/-/ Single Strike -1 x – 2个麦克风位置，5个力度层和4个圆形知更鸟。
/-/循环–访问12个签名节奏（44.1KHz）。
-Dholak –
/-/单次打击– 3 x – 2个麦克风位置，5个力度层和4个圆形知更鸟）。
/-/循环–超过52个签名节奏（44.1KHz）。
-Ad-lib [/ i] – 14 x –酸辣酱男性和女性Ad-lib。[/ i]
+塔萨
-Kutter
/-/单次打击– 5 x – 2个麦克风位置，5个力度层和4个圆形罗宾。
/-/循环– 63个签名节奏（44.1KHz）。
-Dhol
/-/单次打击– 3 x – 2个麦克风位置，5个力度层和4个圆形知更鸟）。
/-/循环– 7个签名节奏（44.1KHz）。
-詹吉
单次打击– 2 x – 2个麦克风位置，5个力度层和4个圆形知更鸟。
循环– 8个签名节奏（44.1KHz）。
所有节奏都按照速度调整以提高可演奏性。
可以选择访问速度，调整，量化，起音和保持功能（主页）。
访问反向，合唱，移相器，混响延迟和滤波器（FXPage）的选项。
您可以在指尖方便地访问签名的Indigisounds Breakaway响度。
使用NKS就绪的KONTAKT，KONTAKT PLAYER，KOMPLETE作为VST或AU插件，可用于音乐注释软件和数字音频工作站的播放功能。
…..制作人为您带来的无限可能……
主页
http://www.indigisounds.com/product/indo-caribbean-samples/
In the aftermath of the abolition of slavery in the Caribbean, the East Indian indentured labourers arrived bringing with them another culture to the melting pot of the West Indies. Foremost of the elements which they brought with them was their musical identity. East Indian indentured labourers came mainly from the Hindustan belt to cultivate the sugar plantations predominantly in Trinidad and Tobago, Suriname, and Guyana.
This sample library offer comprises the two major musical sub-genres to emerge within the history of West Indian Creole musical innovations, both of which are the result of the East Indian immigrant presence in the Caribbean.
Chutney music evolved from the Bhojpuri folk music. The primary instruments used are the harmonium, dhantal, and dholak. This traditional chutney sound is the seminal form of original and organic expression of the Indian diaspora in the Caribbean. The Chutney melodies and rhythms have evolved over the years to adapt to changes in technology and taste while moving forward with the strides in the Carnival industry, giving rise to the crossover genre of Chutney-Soca. However, Chutney still retains the frenetic rhythms of the dholak coupled with the melodic runs and soothing hums of the harmonium as well as traditional melodies and arrangements. At your fingertips is a library of authentic dholak, dhantal and harmonium samples and loops. Vocal samples of popular ad-libs and expressions also are included to help bring that instant flair to your productions.
The Tassa drums evolved from the North and Central Plains of India. The main instruments used are the Dhol or bass drum, the Caribbean equivalent of nagara known as the kutter drum, and the Jhanj cymbal. Tassa’s infectious rhythm has become synonymous with the celebration in the twin-island Republic. The thunderous bass accompanied by the piercing kutter awakens the body to move to its command. A mainstay at all traditional Indian weddings and festivities, the Tassa can now be adapted seamlessly into any audio production. Its infectious effect can be applied to any percussive ensembles and ideas.
Features:
Access to over 3100 handcrafted music samples of:
+ Chutney
– Harmoniums – 2 x – single strike x 3 velocity layers and modeled noises.
– Dhatal –
/-/ Single Strike -1 x – 2 microphone placements, 5 velocity layers, and 4 round robins.
/-/ Loops – Access over 12 signature rhythms(44.1KHz).
– Dholak –
/-/ Single Strike – 3 x – 2 microphone placements, 5 velocity layers, and 4 round robins).
/-/ Loops – Access over 52 signature rhythms (44.1KHz).
– Ad-libs [/i]– 14 x – Chutney male and female Ad-libs.[/i]
+ Tassa
– Kutter
/-/ Single Strike – 5 x – 2 microphone placements, 5 velocity layers, and 4 round robins.
/-/ Loops – 63 signature rhythms(44.1KHz).
– Dhol
/-/ Single Strike – 3 x – 2 microphone placements, 5 velocity layers, and 4 round robins).
/-/ Loops – 7 signature rhythms(44.1KHz).
– Jhanj
Single Strike – 2 x – 2 microphone placements, 5 velocity layers, and 4 round robins.
Loops – 8 signature rhythms(44.1KHz).
All rhythms are tempo-aligned to improve playability.
Option to access speed, tuning, quantization, attack and hold features(Main Page).
Option to access reverse, chorus, phaser, reverb delay, and filter (FXPage).
Option to access the signature Indigisounds Breakaway loudness at the convenience of your fingertips.
Playback capability for music notation software and Digital Audio Workstations using NKS ready KONTAKT, KONTAKT PLAYER, KOMPLETE as a VST or AU plugin.
…..The possibilities for you the producer are endless…
home page
http://www.indigisounds.com/product/indo-caribbean-samples/
