混响插件 – 112dB Mikron Reverb v1.0.2 [WiN]

Team R2R | 07 October 2020 | 7 MB使用Mikron Reverb,您可以在心跳中将音乐传递到合适的氛围中。这个色彩丰富,受stompbox启发的插件是我们广受赞誉的Redline Reverb的弟弟。它具有温暖而郁郁葱葱的“词典似的”声音,但操作方式却完全不同。在Mikron Reverb中,Redline Reverb的大多数参数都隐藏在几个直观的旋钮后面。它采用了智能算法,可以为各种房间特征确定这些参数的理想设置。
该算法背后的思想是,当您拨入某种混响时,您通常对所有可能的房间和这些房间中的位置的混响不感兴趣,而只对那些能给您带来超凡或有趣声音的混响感兴趣。有很多音乐厅,但只有少数几个因其声学效果而受到赞扬。而且音乐厅里只有一个地方是乐队的最佳状态。我们试图捕捉到的那些美妙的回响。

或者,如果您对更多的技术背景感兴趣,则是因为某些空间听起来很棒,或者当您站在房间的中央时,声音效果不如稍微向前移动那么好。这与混响的不同参数如何平衡有关:早期反射,衰减时间等。对此的最终公式仍然未知,这是建筑师仍然难以设计完美音乐厅的原因之一。但是我们认为我们已经能够提出一个近似值。我们有一个优势。与必须考虑现实世界建筑的烦人因素的建筑师不同,我们只需要关注声音如何以音乐愉悦的方式在时间中移动。我们的公式绝对是基于个人喜好,而不是基于普遍真理。但是我们敢说这确实很麻烦。在实践中这意味着什么?它为您节省了很多不必要的调整。无论您旋转哪个旋钮,混响听起来都很棒,只是有所不同。

特征

只需几个旋钮,您就可以创建许多不同的空间
声音以令人愉悦的方式不断发展
调性仍保持完整
极长的混响时间(这使其成为环境声音的极佳混响)
直观易用的界面
低CPU
NKS支持

With Mikron Reverb you can beam your music into the right atmosphere in a heartbeat. This colorful, stompbox inspired plugin is the little brother of our widely acclaimed Redline Reverb. It has the same warm and lush, ‘lexicon-ish’ sound, but a completely different mode of operation. In Mikron Reverb the majority of the parameters of Redline Reverb are hidden behind just a few intuitive knobs. It incorporates an intelligent algorithm that determines the ideal settings for those parameters for a wide variety of room characteristics.

The idea behind this algorithm is that when you dial in a certain kind of reverb you usually are not interested in the reverberations of all possible rooms and positions in those rooms, but only those that will give you a superb or interesting sound. There are a lot of concert halls, but only a few are praised for their acoustics. And there is only one spot in a concert hall were the band sounds at it’s best. It’s those great sounding reverberations that we tried to capture.

Or if you are interested in a bit more technical background: there is a reason that certain spaces sound great or that when you stand in the center of a room the sound is less good than when you move a little to the front. And that has everything to do with how the different parameters of the reverberations are balanced: early reflections, decay time etc. The ultimate formula for this is still unknown, one of the reasons why architects still have difficulties designing the perfect concert hall. But we think we have been able to come up with an approximation of it. We had one advantage. Unlike architects who have to take into account the annoying constraints of real world buildings we only had to focus on how sound moves through time in a musically pleasant way. Our formula is most definitely based on a personal preference, not on a universal truth. But we dare say that it does a hell of a job. What does this mean in practice? It saves you a lot of unnecessary tweaking. Whatever knob you turn, the reverberation keeps sounding great, just different.

Features

  • with a very few knobs you can create many different spaces
  • sound keeps evolving in a musically pleasing way
  • tonality remains intact overtime
  • extremely long reverb times (which makes it an excellent reverb for ambient sounds)
  • intuitive, easy to use interface
  • low cpu
  • NKS support
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