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Yamaha DX5合成器 – Rhythmic Robot Audio – PatchVault DX5 Custom Set 1 KONTAKT

KONTAKT | 1.23 GB

您会发现,如果您对我们的PatchVault DX5声音或DX Keys Deluxe EP有所了解,那么Yamaha DX5就是其中一种乐器,其功能远胜于其各个部分的总和。当然,名义上,它是一个大盒子中的两个DX7,这使其与Yamaha后来的DX7IID相当。但是实际上,DX5和7IID的声音明显不同:7IID更干净,更脆和更有光泽,而5则更厚,更丰富并且在某种程度上“更棕色”。这很大程度上是5中使用的手工挑选的12位DAC的结果,这给船上的FM合成带来了令人欢迎的热情。

我们现有的PatchVault DX5集会为这种超酷的怪物合成器重新创建Yamaha自己的出厂预设;但是尽管它们很棒(也是一段真实的音乐史),但实际上它们并不是我们不断加载到实验室5中的音色,而是更喜欢将它们存储在带有合成音色的g片中-很奇怪,超凡脱俗,不现实,不现实的探究,探究了FM真正松动时FM的功能,而不是铜管乐器和弦乐器。这是Mongo多年来默默收集的结果,在此PatchVault中,我们为您组合了其中最好的。
该套件包括原始补丁和重新创建DX5的两层体系结构所需的Kontakt Multis:每个Multi是Lab 5 Performance存储器之一的直接副本,其中包含两个补丁以及用于加厚和扩展它们的必要的失谐和平移信息。加上当然,您会获得通常的PatchVault控件集,该控件集大大扩展了补丁程序和Multis的范围,使您可以创建自己的DX风格的音景。

 

As you’ll know if you’ve taken a glance at our PatchVault DX5 sounds or our DX Keys Deluxe EPs, the Yamaha DX5 is one of those instruments that’s a good deal more than the sum of its parts. Nominally, of course, it’s two DX7s in one big box – which would make it on a par with Yamaha’s later DX7IID, for example. In practice, though, the DX5 and the 7IID sound distinctly different: the 7IID is cleaner, crisper and shinier, while the 5 is thicker, richer and somehow “more brown”. This is the result, largely, of the hand-picked 12-bit DACs used in the 5, which bring what we feel is a welcome dose of warmth to the FM synthesis on board.

Our existing PatchVault DX5 set recreates Yamaha’s own factory presets for this awesome monster-synth; but while they’re great (and a genuine slice of musical history, too), they’re not in fact the patches we keep loaded into our laboratory 5, preferring instead to stock it to the gills with full-on synth sounds – weird, other-worldly, swooshy, non-realistic, out-there explorations of what FM can do when it’s really let loose, rather than brass patches and string patches. These are the result of years of quiet collection on Mongo’s part, and in this PatchVault set we’ve assembled the best of them for you.
This set includes both raw patches and the Kontakt Multis necessary to recreate the DX5’s two-layer architecture: each Multi is a direct copy of one of the lab 5’s Performance memories, incorporating two patches plus the detuning and panning information necessary to thicken and spread them. Plus of course you get the usual PatchVault control set, which vastly extends the scope of the patches and Multis, allowing you to create your very own DX-inspired soundscapes.

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