P2P | 9 February 2024 | 3.29 GB
Berlin Ambiances I 是 114 分钟/3.69 GB 的纯柏林音乐，分为 31 个独立文件 – 大部分以 24 位/96kHz 准双耳立体声录制，使用 Primo EM172 全向拾音头。
该合集包含柏林各个地点的秘密录音，包括大量火车声音，还有柏林人！
我去了 Bodemuseum（疯狂的自然混响）、Hauptbahnhof（巨大、弥漫的火车站氛围）和 Haus der Kulturen der Welt（很棒的餐厅氛围和繁忙的门厅）等地点。 所有这些都是在 2015 年 1 月期间使用一组头戴式近耳或准双耳麦克风拍摄的。
何为准？ 因为麦克风元件并不完全位于耳廓（突出在耳道前面的那个东西）后面，这意味着真正的 3 维双耳体验不存在。 在这种情况下，我的头部阴影更像是施耐德光盘或类似的东西，这意味着这些录音应该比诺伊曼假头更好地翻译给扬声器。 顺便说一句：非双耳录音是在 2013 年 10 月完成的，仅使用我的索尼 PCM M10 录音机。
总而言之，这是您下一个柏林式项目的有用氛围的集合。
你得到：
人物、地点和火车！
内部和外部
Berlin Ambiances I is 114 minutes/3,69 GB of pure Berlin in 31 separate files – recorded mostly in 24bit/96kHz quasi-binaural stereo, with Primo EM172 omni capsules.
This collection contains stealth recordings of various Berlin locations, including a good deal of train sounds and, well, Berliners!
I went to locations such as the Bodemuseum (crazy natural reverbs), the Hauptbahnhof (enormous, diffuse train station-ambiance) and Haus der Kulturen der Welt (great restaurant vibe and busy foyer). All this captured during January 2015, with a head-worn set of near- or quasi-binaural microphones.
Why quasi? Because the microphone elements are not entirely behind the Pinna (that thing protruding in front of the ear-canal), which means the true, 3-dimensional binaural experience isn’t there. In this setting, my head shadow acted more like a Schneider disc or such, which means these recordings should translate better to speakers than, say, a Neumann dummy head. Btw: the non-binaural recordings were done in October 2013, using just my Sony PCM M10 recorder.
All in all, a collection of useful ambiances for your next Berlin-esque project.
You get:
People, places and trains!
Interiors and exteriors
