《Blizzard of Ozz》发行于 1980 年，是黑暗王子奥兹·奥斯本 (Ozzy Osbourne) 的首张个人专辑。 由传奇人物兰迪·罗兹（Randy Rhoads）担任主音吉他手，这张专辑已成为重金属音乐的基石，并收录了该流派中一些最令人难忘的吉他作品。 诞生了单曲《Crazy Train》和《Mr. Crowley》后，《Blizzard Of Ozz》已成为有史以来最具标志性和关键的硬摇滚专辑之一。 与世界级吉他导师和真正的 Ozzy 粉丝 Danny Gill 一起学习这门令人难以置信的 licklibrary 吉他课程，涵盖改变世界的专辑中 Randy Rhoads 的吉他部分，包括：I Don’t Know、Steal Away (The Night) 和永恒 克劳利先生。 在这里，我们将深入研究每首曲目，讨论所使用的音阶和技巧，并特别关注罗兹的独特风格。
1.我不知道
这首开场曲以占主导地位的 E Mixolydian riff 拉开序幕，为专辑奠定了黑暗和沉思的基调。 罗兹在整首歌中使用了手掌静音、强力和弦和切分节奏。 独奏以 E 小调五声音阶混合了交替拨弦和连奏。
2. 疯狂火车
《Crazy Train》是奥斯本最具标志性的曲目之一，其特点是令人难忘的 F# 小调连复段，并运用了半音阶和奔腾的节奏。 A 大调独奏展示了 Rhoads 的敲击和声和双音转弦技巧。
3. 告别浪漫
这首内省的民谣以简单的 A 大调琶音进行为特色，罗兹使用琶音和指弹技巧。 独奏以 A 大调五声音阶演奏，融合了击弦、拉弦和颤音。
4.迪伊
《Dee》是对 Rhoads 母亲的感人器乐致敬，以 D 大调融合了古典和弗拉门戈吉他风格。 罗兹运用指弹和琶音和弦进行来营造情感氛围。
5.自杀方案
《Suicide Solution》以 E Dorian 模式进行连复段，展示了 Rhoads 在重奏和旋律演奏之间无缝切换的能力。 独奏在E小调五声音阶中结合了连奏和交替拨弦技术，并使用颤音和捏和声来增加质感。
6.克劳利先生
这首令人难以忘怀的曲目以 D# 小调的黑暗连复段为特色，利用了强力和弦和手掌静音。 独奏展示了 Rhoads 的精湛技巧，在 D# 自然小调音阶中使用了双手敲击、拨弦、滑奏和连奏技术。
7. 无骨电影
《No Bone Movies》以美妙的 A Mixolydian riff 为特色，凸显了 Rhoads 创作朗朗上口、令人难忘的吉他部分的能力。 独奏部分展示了罗兹在 A 小调五声音阶中的交替拨弦能力，以及弦乐弯曲和颤音以增加表达力。
8.启示录（地球母亲）
这首史诗般的曲目以 G# 小调精致的琶音引子开始，展示了 Rhoads 的指弹技巧。 随着歌曲的创作，罗兹融入了强力和弦、八度旋律和开弦即兴重复段。 独奏以 G# 和声小调演奏，融合了扫拨、交替拨弦和连奏技术。
9. 偷走（夜晚）
专辑中的最后一首曲目“Steal Away (The Night)”拥有欢快、强劲的 G 大调即兴重复段，利用强力和弦和手掌静音。 独奏以 G 大调五声音阶演奏，包含交替拨弦、敲击、拉奏和滑奏。
Released in 1980, “Blizzard of Ozz” is the debut solo album by the Prince of Darkness himself, Ozzy Osbourne. With the legendary Randy Rhoads as the lead guitarist, this album has become a cornerstone of heavy metal music and features some of the most memorable guitar work in the genre. Having spawned the singles Crazy Train and Mr. Crowley, Blizzard Of Ozz has become one of the most iconic and pivotal hard rock albums of all time. Join world class guitar tutor and true Ozzy fan, Danny Gill for this incredible licklibrary guitar course, covering the Randy Rhoads guitar parts from the album which changed the world, including: I Don’t Know, Steal Away (The Night) and the timeless Mr. Crowley. Here, we’ll take an in-depth look at each track, discussing the scales and techniques used, as well as a special focus on Rhoads’ unique style.
1. I Don’t Know
This opening track kicks off with a dominant E Mixolydian riff, which sets a dark and brooding tone for the album. Rhoads makes use of palm muting, power chords, and syncopated rhythms throughout the song. The solo features a mix of alternate picking and legato runs in the E minor pentatonic scale.
2. Crazy Train
One of Osbourne’s most iconic tracks, “Crazy Train” features a memorable F# minor riff, with the use of chromaticism and galloping rhythms. The solo, in A major, showcases Rhoads’ tapped harmonics and double-stop bends mastery.
3. Goodbye to Romance
This introspective ballad features a simple A major arpeggiated progression, with Rhoads using arpeggios and finger-picking techniques. The solo is played in the A major pentatonic scale, incorporating hammer-ons, pull-offs, and vibrato.
4. Dee
A touching instrumental tribute to Rhoads’ mother, “Dee” features a blend of classical and flamenco guitar styles in the key of D major. Rhoads employs finger-picking and arpeggiated chord progressions to create an emotional atmosphere.
5. Suicide Solution
With a driving riff in the E Dorian mode, “Suicide Solution” showcases Rhoads’ ability to switch seamlessly between heavy and melodic playing. The solo employs a combination of legato and alternate picking techniques in the E minor pentatonic scale, with the use of trills and pinched harmonics for added texture.
6. Mr. Crowley
This haunting track features a dark riff in the key of D# minor, utilizing power chords and palm muting. The solos showcase Rhoads’ virtuosic skills, with the use of two-handed tapping, sweep picking, slides, and legato techniques in the D# natural minor scale.
7. No Bone Movies
Featuring a groovy A Mixolydian riff, “No Bone Movies” highlights Rhoads’ ability to create catchy, memorable guitar parts. The solo section showcases Rhoads’ alternate picking prowess in the A minor pentatonic scale, along with string bending and vibrato for added expression.
8. Revelation (Mother Earth)
This epic track begins with a delicate, arpeggiated intro in the key of G# minor, showcasing Rhoads’ finger-picking technique. As the song builds, Rhoads incorporates power chords, octave melodies, and open-string riffs. The solo, played in G# harmonic minor, features a mix of sweep picking, alternate picking, and legato techniques.
9. Steal Away (The Night)
The final track on the album, “Steal Away (The Night)” boasts an upbeat, driving riff in G major, making use of power chords and palm muting. The solo, played in G major pentatonic, incorporates alternate picking, hammer-ons, pull-offs, and slides.
