1.16GB
GS Ambient Toolkit包含5个来自Genera Studios的精彩kontakt库，它们捆绑在一起。有关详细信息，请参见各个产品页面。
此捆绑包包括：
•环境胶带机
•郁郁葱葱的气氛
•怪异的合唱
•怪异的钢琴
•水龙头
…… :::::::环境磁带机-产品概述:::::: ……
环境磁带机：C1的创建方法是：首先捕获3组独特的原始样本，将它们记录在盒式磁带上，然后在老式的国会图书馆C1盒式磁带播放机上以全速和半速播放。
模拟磁带有助于给音乐带来一定的温暖感，而这种温暖感在数字世界中是无法模仿的，并且以半速播放声音在磁带上是一种真正令人难以置信的体验。环境磁带机：C1允许您混合和控制这些郁郁葱葱的声音，以便您雕刻出完美的环境音景。
…… :::::::包括:::::: ……
•总样本大小-805MB
•184个样本
•超过70种快照预设
•直观的图形用户界面，具有大量控制功能
•定制双重琶音器
•为您所有的KSP脚本编写者打开脚本！
……：：：：：： 特征 ：：：：：：……
•3种声源，具有音量，声相，调音和磁带速度控制
•两个用于VCA和VCF的ADSR（具有VCF ENV深度）
•可切换的LFO同步到您的主机速度（具有调制深度）
•颤音深度和速率控制
•4极LPF和HPF
•延迟，混响和饱和度控制
•用于LPF截止和共振的定制双琶音器
•以24位和48kHz记录
•要求：Native Instruments Kontakt 5.8.1+或更高版本。
……：：：：：： 磁带 ：：：：：：……
国会图书馆C1盒式磁带播放器是老式的装备，最初是为视力障碍者收听国会图书馆提供的有声读物而设计的。其独特的变速播放控件使其成为功能强大的环境声音创建工具。该仪器中使用的装置似乎会引起轻微的减速，一些噪音以及一些以半速摆动的现象-为这些样品提供了真正独特的声音指纹。为了减少噪声，使用行业标准工具对样本进行了消噪，但为了保持原始声音的完整性，我们有意保留了一些噪声。样本在Kontakt中进行了调音，以抵消录音机的轻微减慢效果。
…… :::::::声音:::::: ……
环境磁带机中有3个独特的原始样本集：C1。这些按数字，模拟和声学细分。数字声音是使用执行虚拟模拟合成的现代数字合成器产生的。模拟声音是从设置在巨大/环境中的3振荡器模拟单合成器捕获的。声音是通过电吉他从Axe-FX II XL +上的干净贴片上弹奏手掌的静音音而捕获的，并应用了一些非常茂密的微光混响。
通过GUI，您将能够在半音和全音之间更改播放速度，对其进行调谐，设置音量并分别平移每个声音。每种声音都有其自身难以置信的细节，但是当您以创造性的方式将它们融合在一起时，真正的魔力就会发生。
…… :::::::预设和协作:::::: ……
为了向您展示环境磁带机C1的潜力，我们与两位优秀的音乐家和声音设计师合作创建了70多个预设。 Jetfire Prime和Franklin Vanderhyde贡献了令人难以置信的音色，以补充我们提出的音色，并将乐器推向了我们从未想过的新音域。这主要是一种环境乐器，但您也可以创建更多传统的主音，贝斯和合成器音色。
…… :::::::预设细目分类:::::: ……
•29种氛围
•04 Arps
•15 FX
•11铅
•09 PL
•03合成器
…… :::::::郁郁葱葱的氛围-产品概述:::::: ……
Lush Atmosphere是一个Kontakt环境库，其中包含3种环境仪器以及一个用于混合和控制它们的主补丁。郁郁葱葱的气氛将是您在混合物中添加的秘密调味料，以添加郁郁葱葱的空灵声音。
……：：：：：： 详细地 ：：：：：：……
•270个文件-650MB
•3种环境Kontakt仪器
•郁郁葱葱的字符串
•豪华元素
•豪华采摘
•19个预设NKI
•主控补丁
•单独的电平，声像，滤波器和ADSR设置
•10个快照
•以24位和44.1kHz记录
•要求：Native Instruments Kontakt 5.8.1+或更高版本。
…… ::::::: I N T E R F A C E :::::: ……
…… :::::::怪异合唱-产品概述:::::: ……
怪异合唱是Kontakt乐器的一种，它通过从人声中进行卷积IR响应，然后将噪声路由到每个样本中来发出大气合唱声。作为第二组声音，然后将原始样本通过微弱的混响馈入，以产生更加大气的声音。作为第三组声音，添加了一个怪异的过渡层。
Spooky Chorus的GUI设计为非常图形化。它可以分为两类：本地和全局。本地参数由2个XY打击垫组成，因此用户可以以图形方式将仪器放置在空间和频率上。的
The GS Ambient Toolkit contains 5 wonderful kontakt libraries from Genera Studios in one bundle. Please see individual product pages for details.
This Bundle Includes:
• Ambient Tape Machines
• Lush Atmosphere
• Spooky Chorus
• Spooky Piano
• Taps
……:::::: Ambient Tape Machines – PRODUCT OVERVIEW ::::::……
Ambient Tape Machines: C1 was created by first capturing 3 unique raw sets of samples, recording them onto cassette tape, and then playing them back at full and half speed on a vintage Library Of Congress C1 cassette player.
Analog tape helps give music a certain warmth that is hard to emulate in the digital world, and playing back sounds at half speed on tape is a truly incredible experience. Ambient Tape Machines: C1 allows you to blend and control these lush sounds so you can sculpt the perfect ambient soundscape.
……:::::: INCLUDED ::::::……
• Total Sample Size – 805MB
• 184 Samples
• Over 70 Snapshot Presets
• Intuitive GUI with Plenty of Control
• Custom Dual Arpeggiators
• Open script for all you KSP scripters out there!
……:::::: FEATURES ::::::……
• 3 sound sources with volume, pan, tuning, and tape speed controls
• Two ADSR’s for VCA and VCF (with VCF ENV depth)
• Switchable LFO synced to your host tempo (with mod depth)
• Vibrato depth and rate control
• 4-pole LPF and HPF
• Delay, Reverb, and Saturation Controls
• Custom dual arpeggiators for LPF cutoff and resonance
• Recorded at 24-Bit and 48kHz
• Requirements: Native Instruments Kontakt 5.8.1+ or higher.
……:::::: THE TAPE ::::::……
The Library of Congress C1 Cassette player is a vintage piece of gear originally intended for the vision impaired to listen to audio books from the Library of Congress. Its unique variable speed playback controls make it a very powerful ambient sound creation tool. The unit used in this instrument seems to introduce a slight slow-down, some noise, and some wobbling at half speed – giving these samples a truly unique sonic fingerprint. To reduce the noise the samples were de-noised using industry standard tools, but to maintain the integrity of the raw sound we purposefully left some noise in. The samples were tuned in Kontakt to counter the slight slow-down effect of the tape machine.
……:::::: THE SOUNDS ::::::……
There are 3 unique raw sample sets in Ambient Tape Machines: C1. These are broken down by Digital, Analog, and Acoustic. The Digital sound was produced using a modern digital synthesizer performing virtual analog synthesis. The Analog sound was captured from a 3 oscillator analog mono-synth set on a huge/ambient patch. The Acoustic sound was captured from an electric guitar playing palm muted notes through a clean patch on an Axe-FX II XL+ with some very lush shimmer reverb applied.
Through the GUI you will be able to change the play back speed between full and half, tune them, set the volume, and pan each of the sounds individually. Each sound is incredibly detailed on its own, but the real magic happens when you blend them together in creative ways.
……:::::: Presets And Collaboration ::::::……
To show you the potential of what Ambient Tape Machines C1 can do, we teamed up with two excellent musicians and sound designers to create over 70 presets. Jetfire Prime and Franklin Vanderhyde contributed incredible patches that compliment the patches we came up with, and pushed the instrument into new sonic landscapes we never thought of. This was primarily an ambient instrument, but you can also create more traditional lead, bass, and synth patches.
……:::::: Presets Breakdown ::::::……
• 29 Ambiences
• 04 Arps
• 15 FX
• 11 Lead
• 09 PL
• 03 Synths
……:::::: Lush Atmosphere – PRODUCT OVERVIEW ::::::……
Lush Atmosphere is an ambient Kontakt Library featuring 3 ambient instruments, and a master patch to mix and control them. Lush Atmosphere will be the secret sauce you throw in your mixes to add that lush ethereal sound.
……:::::: IN DETAIL ::::::……
• 270 Files – 650MB
• 3 Ambient Kontakt Instruments
• Lush stRings
• Lush Elements
• Lush Pluck
• 19 Presets NKI’s
• Master Control Patch
• Individual level, pan, filter, and ADSR settings
• 10 snapshots
• Recorded at 24-Bit and 44.1kHz
• Requirements: Native Instruments Kontakt 5.8.1+ or higher.
……:::::: I N T E R F A C E ::::::……
……:::::: Spooky Chorus – PRODUCT OVERVIEW ::::::……
Spooky Chorus is Kontakt Instrument created by making convolution IR responses out of vocal notes, and then routing noise through each sample to make an atmospheric choir sound. As a second set of sounds, the original samples were then fed through a shimmer reverb to create an even more atmospheric sound. As a third set of sounds, a spooky transient layer was added.
The GUI of Spooky Chorus was designed to be very graphical. It can be divided into two categories: local and global. The local parameters are made up of 2 XY Pads so the user can graphically place the instrument in both space and frequency. The global parameters are made up of traditional sliders. A second tabbed page gives arpeggiator controls.
……:::::: INCLUDED ::::::……
• 1 Kontakt Instrument – 100MB
• 22 Samples
• 13 Snapshot Presets
• Clean Simple GUI with Arpeggiator
• Recorded at 24-Bit and 44.1kHz
• Requirements: Native Instruments Kontakt 5.8.1+ or higher.
……:::::: I N T E R F A C E ::::::……
……:::::: DETAILS ::::::……
Our mission with Spooky Chorus was to minimize the amount of knobs and sliders without losing any control. The bulk of the UI is made up of 2 XY pads, each containing the 3 unique sounds. You can drag around the sounds on the Volume / Pan Pad to position the instrument in space, and then drag the sounds on the Cutoff/Saturation Pad to position the instrument in frequency content. The remaining sliders control the global parameters of the instrument in a more traditional manner.
……:::::: Arpeggiator ::::::……
Spooky Chorus comes with a second tab on the GUI that gives you access to an arpeggiator. This is a stock NI preset arpeggiator, but it gives you access to a completely different way to play the instrument. Our favorite mode is random, with the rate set to high speeds – this creates a flurry of notes around whatever chord or groups of notes you’re playing.
……:::::: Spooky Presets ::::::……
Spooky Chorus comes with 13 snapshot presets to get you started. We found that Spooky Chorus performed best in 3 core areas: the main sounds (resembling a distant choir), the spooky sounds (ghostly artifacts), and fast arpeggiated sounds (to create a wash of sound). Note that if you want to use the snapshots in the drop-down menu on Spooky Chorus, you must move the snapshot folder into your Kontakt snapshot folder. There are instructions for how to do this in the README file included with the download.
……:::::: PRODUCT DEMO/PREViEW ::::::……
……:::::: Spooky Piano – PRODUCT OVERVIEW ::::::……
Spooky Piano is Kontakt Instrument created by making convolution IR responses out of notes from a synthesized piano, and then routing noise through each sample to make an atmospheric piano sound. As a second set of sounds, the original samples were then fed through saturation and reverb to create an even more atmospheric sound. As a third set of sounds, a single sample was mapped across the keyboard to create spooky artifacts that add an additional transient to the instrument.
The GUI of Spooky Piano was designed to be very graphical. It can be divided into two categories: local and global. The local parameters are made up of 2 XY Pads so the user can graphically place the instrument in both space and frequency. The global parameters are made up of traditional sliders. A second tabbed page gives arpeggiator controls.
……:::::: DETAILS ::::::……
• 1 Kontakt Instrument – 260MB
• 72 Samples
• 16 Snapshot Presets
• Clean Simple GUI with Arpeggiator
• Open script
• Recorded at 24-Bit and 44.1kHz
• Requirements: Native Instruments Kontakt 5.8.1+ or higher.
……:::::: GRAPHICAL UI ::::::……
Our mission with Spooky Piano was to minimize the amount of knobs and sliders without losing any control. The bulk of the UI is made up of 2 XY pads, each containing the 3 unique sounds. You can drag around the sounds on the Volume/Pan Pad to position the instrument in space, and then drag the sounds on the Cutoff/Saturation Pad to position the instrument in frequency content. The remaining sliders control the global parameters of the instrument in a more traditional manner.
……:::::: ARPEGGIATOR ::::::……
Spooky Piano comes with a second tab on the GUI that gives you access to an arpeggiator. This is a stock NI preset arpeggiator, but it gives you access to a completely different way to play the instrument. Our favorite mode is random, with the rate set to high speeds – this creates a flurry of notes around whatever chord or groups of notes you’re playing.
……:::::: SPOOKY PRESETS ::::::……
Spooky Piano comes with 16 snapshot presets to get you started. We found that Spooky Piano performed best in 3 core areas: the main sounds (resembling a atmospheric piano), the spooky sounds (twisted sounds barely resembling a piano), and fast arpeggiated sounds. Note that if you want to use the snapshots in the drop-down menu on Taps, you must move the snapshot folder into your Kontakt snapshot folder. There are instructions for how to do this in the (.README) file included with the download.
……:::::: Taps – PRODUCT OVERVIEW ::::::……
Taps is a Kontakt Guitar Instrument created from tapped notes on a clean electric guitar, with an octave of low open plucked notes on the bottom end. The result is a very playable sample instrument with a diverse sound that can go between chill and ambient to chaotic and heavy. The GUI includes controls for delay, reverb, saturation, distortion, LPF, and ADSR. Theirs also a built in arpeggiator tab. There are 25 snapshot presets included to get you started, but we think you’ll find the possibilities are endless.
……:::::: DETAILS ::::::……
• 1 Kontakt Instrument – 58MB
• 37 Samples
• 25 Snapshot Presets
• Clean Simple GUI with Arpeggiator
• Open script
• Recorded at 24-Bit and 44.1kHz
• Recorded on an Ibanez RGA8 with EMG808X pickups through an Axe-FX II XL+
• Requirements: Native Instruments Kontakt 5.8.1+ or higher.
……:::::: LOT’S OF CONTROL ::::::……
Our mission with Taps was to create the biggest diversity in sounds possible with the smallest amount of samples. The raw sounds include a bottom octave of low notes played with a pick, and the remaining octaves are tapped notes – all on a clean electric guitar. Through the use of the delay, reverb, grit, filter, humanization, and ADSR modules (and the arpeggiator on the second tab), you can play anything from an ambient pad to a crazy helicopter sound.
When making a sample instrument you can usually take two distinct paths; deep sampling for realism (many velocity layers and round-robins), or focusing on sound design. We aimed to focus on sound design (deep sampling is often a wasted effort if you’re just going to cover it in delay, reverb, distortion, and filtering). The result was a super efficient 58MB size Kontakt instrument with a ton of capability, that we can afford to offer for a great price.
……:::::: PLENTY OF PRESETS ::::::……
Taps comes with 25 snapshot presets to get you started. The first 9 presets are what we consider ‘standard’ sounds, not too far away from the raw tone of the samples – use these if you want Taps to sound like a clean tapped electric guitar. The remaining presets are a mix of arpeggiated sounds, distorted guitar sounds, and crazy FX.
Note that if you want to use the snapshots in the drop-down menu on Taps, you must move the snapshot folder into your Kontakt snapshot folder. There are instructions for how to do this in the README file included with the download.
……:::::: ARPEGGIATOR ::::::……
Taps comes with a second tab on the GUI that gives you access to an arpeggiator. This is a stock NI preset arpeggiator, but it gives you access to a completely different way to play the instrument. Our favorite mode is random, with the rate set to high speeds – this creates a flurry of notes around whatever chord or groups of notes you’re playing.
