HiDERA | 19 August 2020 | 516 MB
看到Sunhouse的感觉打击乐套件在工作是相当了不起的。看张仁安演一出戏简直让人着迷。在他的第三套Splice original包中，张把为他的前两套声学包(钝节奏和金属结构)制作的声音切割和拧紧，然后把它们放到一个电子工具包中。
利用桑豪斯的感官打击，他将它们重新语境化，创造出一些新的东西。这包功能循环反弹，多才多艺的纹理，广泛的旋律，一吨的一镜头，为现代制作准备和准备，以及更多。
To see a Sunhouse Sensory Percussion kit in action is pretty remarkable. To see Ian Chang play one is nothing short of mesmerizing. For his third Splice Originals pack, Chang chopped and screwed the sounds created for his first two acoustic packs—Obtuse Rhythms and Metal Structures—and put them onto an electronic kit.
Using Sunhouse’s Sensory Percussion, he recontextualized them to create something new. This pack features loops that bounce, versatile textures, a wide range of melodies, a ton of one-shots prepped and primed for modern productions, and a whole lot more.
